When I am halfway there with a painting, it can occasionally be thrilling... But it happens very rarely; usually it's agony... I go to great pains to mask the agony. But the struggle is there. It's the invisible enemy.
Richard DiebenkornRead
I want a painting to be difficult to do. The more obstacles, obstructions, problems - if they don't overwhelm - the better. I would like to feel that I am involved at any stage of the painting with all its moments, not just this 'now' moment where a superficial grace is so available.
Interpretation
Art should challenge the creator, making the process engaging and complex.
In this quote, Richard Diebenkorn expresses the idea that creating art should not be a simple or easy endeavor. He believes that the presence of obstacles and challenges adds depth to the creative process, allowing the artist to feel a deeper connection with their work that extends beyond mere aesthetics. The journey of creation, with all its struggles, is what enriches the experience and the final outcome.
In practice
In a discussion about the creative process in art class.
When I am halfway there with a painting, it can occasionally be thrilling... But it happens very rarely; usually it's agony... I go to great pains to mask the agony. But the struggle is there. It's the invisible enemy.
In a successful painting everything is integral - all the parts belong to the whole. If you remove an aspect or element you are removing its wholeness.
All paintings start out of a mood, out of a relationship with things or people, out of a complete visual impression. To call this expression abstract seems to me often to confuse the issue. Abstract means literally to draw from or separate. In this sense every artist is abstract . . . a realistic or non-objective approach makes no difference. The result is what counts.
I don't go into the studio with the idea of 'saying' something. What I do is face the blank canvas and put a few arbitrary marks on it that start me on some sort of dialogue.
The Whole Business of Man is The Arts, & All Things Common.
It is not my job to compare my movies. I don't like to compare my films with other movies because I don't really have that perspective. It is an intellectual exercise, but it doesn't intuitively come to me.
For to articulate sweet sounds together Is to work harder than all these, and yet Be thought an idler by the noisy set Of bankers, schoolmasters, and clergymen The martyrs call the world.
Ballet is the fairies' baseball.
Let me sit in a flowerpot, The spiders won't notice. My heart is a stopped geranium.
Every scene should be able to answer three questions: "Who wants what from whom? What happens if they don't get it? Why now?"
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