Abstract painting is abstract. It confronts you. There was a reviewer a while back who wrote that my pictures didn't have any beginning or any end. He didn't mean it as a compliment, but it was.
Jackson PollockRead
My painting does not come from the easel.
Interpretation
The quote suggests that true art emerges from the artist's experience and emotions rather than from traditional techniques or tools.
In this quote, Jackson Pollock emphasizes the idea that his artwork originates from a deeper, instinctual place rather than simply being a product of conventional methods or the physical easel. This reflects Pollock's pioneering abstract expressionism, wherein he prioritized spontaneity and expression over traditional artistic constraints, inviting viewers to appreciate the raw emotions embedded in his work.
In practice
In an art critique, to illustrate the essence of creative expression.
Abstract painting is abstract. It confronts you. There was a reviewer a while back who wrote that my pictures didn't have any beginning or any end. He didn't mean it as a compliment, but it was.
I don't paint nature. I am nature.
I'm very representational some of the time, and a little all of the time. But when you're painting out of your unconscious, figures are bound to emerge.
He drove his kind of realism at me so hard I bounced right into nonobjective painting.
I've been thinking of death a lot, and I am amazed by its inevitability, frightened, as we all are, of the totally unknown, and yet feel a long sleep is somehow earned by those of us who live on the edge.
I have no fear of making changes, destroying the image, etc., because the painting has a life of its own.
When you go to an art gallery you are simply a tourist looking at the trophy cabinet of a few millionaires.
In my younger days, I was trying to write sophisticated prose and fantastic stories.
I think that were beginning to remember that the first poets didn't come out of a classroom, that poetry began when somebody walked off of a savanna or out of a cave and looked up at the sky with wonder and said, "Ahhh." That was the first poem.
Cinema is the culmination of the obsessive, mechanistic male drive in western culture. The movie projector is an Apollonian straight-shooter, demonstrating the link between aggression and art. Every pictorial framing is a ritual limitation, a barred precinct.
Thereβs a strange quality in stop-motion photography, like in King Kong, that adds to the fantasy. If you make things too real, sometimes you bring it down to the mundane.
A great artist is a great man in a great child.
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