I never said the camera was truth. It is, however, a more accurate and more objective way of seeing.
Chuck CloseRead
Part of the joy of looking at art is getting in sync in some ways with the decision-making process that the artist used and the record that's embedded in the work.
Interpretation
Appreciating art involves understanding the artist's creative process and decisions.
This quote by Chuck Close emphasizes that the joy of viewing art comes from connecting with the artist's intentions and the journey they took in creating the artwork. It highlights the importance of recognizing the embedded decisions in art, which enriches the viewer's experience and understanding of the piece.
In practice
This quote can be used in a lecture about the importance of understanding an artist's background in art history class.
I never said the camera was truth. It is, however, a more accurate and more objective way of seeing.
A photograph doesn't gain weight or lose weight, or change from being happy to being sad. It's frozen. You can use it, then recycle it.
The advice I like to give young artists, or really anybody who’ll listen to me, is not to wait around for inspiration. Inspiration is for amateurs; the rest of us just show up and get to work.
Neurologically, I'm a quadriplegic, so virtually everything about my work has been driven by my learning disabilities, which are quite severe, and my lack of facial recognition, which I'm sure is what drove me to paint portraits in the first place.
Losing my father at a tender age was extremely important in being able to accept what happened to me later when I became a quadriplegic.
All the best ideas come out of the process; they come out of the work itself.
A work of art is a world in itself reflecting senses and emotions of the artist's world.
I belong to this notebook and this pencil.
Into the street the piper stepped, Smiling first a little smile As if he knew what magic slept In his quiet pipe the while. And the piper advanced And the children followed.
There were three of us; Witkiewicz, Bruno Schulz, and myself--the three muskateers of the Polish avant-garde between the wars. Only Witkiewicz remains to be discovered.
You obviously don't really forget how to play the old songs; you just don't have to spend so much time convincing yourself that you remember them. Way less mental energy is spent swimming around in lyrics you've already written and chords you've already played.
I'm very representational some of the time, and a little all of the time. But when you're painting out of your unconscious, figures are bound to emerge.
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