Nobody stopped thinking about those psychedelic experiences. Once you've been to some of those places, you think, 'How can I get back there again but make it a little easier on myself?'
Jerry GarciaRead
I have all the patience in the world about Sirens. For me it's not a Grateful Dead project, it's a Me project.
Interpretation
The quote reflects a personal connection and journey with music, emphasizing individual growth over group identity.
In this quote, Jerry Garcia expresses that his involvement with the Sirens project is a deeply personal endeavor, indicating that he sees it as an opportunity for his own artistic exploration rather than merely a continuation of his previous work with the Grateful Dead. This perspective highlights the importance of individual passion and self-discovery in artistic pursuits.
In practice
In a motivational speech about pursuing your passions.
Nobody stopped thinking about those psychedelic experiences. Once you've been to some of those places, you think, 'How can I get back there again but make it a little easier on myself?'
I read somewhere that 77 per cent of all the mentally ill live in poverty. Actually, I'm more intrigued by the 23 per cent who are apparently doing quite well for themselves.
You don't want to be the best at what you do, you want to be the only one.
It's pretty clear now that what looked like it might have been some kind of counterculture is, in reality, just the plain old chaos of undifferentiated weirdness.
You need music, I don't know why. It's probably one of those Joe Campbell questions, why we need ritual. We need magic, and bliss, and power, myth, and celebration and religion in our lives, and music is a good way to encapsulate a lot of it.
Sometimes the lights all shining on me, other times I can barely see. Lately it occurs to me what a long strange trip it's been.
I've never missed a gig yet. Music makes people happy, and that's why I go on doing it - I like to see everybody smile.
The major rock instruments and classical instruments were designed for performance, for sharing the music with an audience, and then later people put microphones on them and recorded them. But for electronic music, the opposite was true - they're designed in laboratories, and later, we tried to put them on stage.
Orchestras are like people. They're the sonic embodiment of their community.
There was this moment when we made 'Superunknown': the Seattle music scene had suddenly ended up on an international stage with huge success.
Jazz is the big brother of Revolution. Revolution follows it around.
Jet, I can almost remember their funny faces
Subscribe for the occasional hand-picked quote. No noise.