People ask me if I ever thought of writing a children's book. I say, 'If I had a serious brain injury I might well write a children's book', but otherwise the idea of being conscious of who you're directing the story to is anathema to me, because, in my view, fiction is freedom and any restraints on that are intolerable.
Interpretation
The quote expresses the belief that writing fiction should be unrestricted and free from targeting specific audiences.
In this quote, Martin Amis conveys his strong opinion that the process of writing fiction should be an exercise in creative freedom, devoid of constraints or the need to cater to a specific audience, such as children. He implies that art thrives on unrestricted expression, and to consciously direct a story toward a particular demographic would undermine the very essence of artistic liberty.
In practice
In a speech at a writers' conference.
Oh Christ, the exhaustion of not knowing anything. It's so tiring and hard on the nerves. It really takes it out of you, not knowing anything. You're given comedy and miss all the jokes. Every hour you get weaker. Sometimes, as I sit alone in my flat in London and stare at the window, I think how dismal it is, how heavy, to watch the rain and not know why it falls.
Sometimes I feel that life is passing me by, not slowly either, but with ropes of steam and spark - spattered wheels and a hoarse roar of power or terror. It's passing, yet I'm the one who's doing all the moving.
You know how it is when two souls meet in a burst of ecstatic volubility, with hearts tickling to hear and to tell, to know everything, to reveal everything, the shared reverence for the other's otherness, a feeling of solitude radiantly snapped by full *contact* - all that?
All my adult life I have been searching for the right adjective to describe my father's peculiarly aggressive comic style. I recently settled on 'defamatory.'
Love is an abstract noun, something nebulous. And yet love turns out to be the only part of us that is solid, as the world turns upside down and the screen goes black.
Jane was my wicked stepmother: she was generous, affectionate and resourceful; she salvaged my schooling and I owe her an unknowable debt for that. One flaw: sometimes, early on, she would tell me things designed to make me think less of my mother, and I would wave her away, saying, Jane, this just backfires and makes me think less of you.
Poetry has been to me its own exceeding great reward; it has given me the habit of wishing to discover the good and beautiful in all that meets and surrounds me.
The idea of songwriting is a transformative thing, and what I do with songwriting is take situations that are quite ordinary and transform them in some way. Apart from things like the murder ballads, the songs I write, at their core, are quite ordinary human concerns, but the process of writing about them transforms them into something else.
A portrait, to be a work of art, neither must nor may resemble the sitter... one must paint its atmosphere.
The most despairing songs are the most beautiful, and I know some immortal ones that are pure tears.
I've just finished my 20th book this past year and I'm working on my 21st book about the Middle East right now that I'll finish this year. And I get up early in the morning and when I get tired of the computer and tired of doing research, I walk 20 steps out to my woodshop and I either build furniture or paint paintings. I'm an artist too.
Poetry is the journal of a sea animal living on land, wanting to fly in the air.
Subscribe for the occasional hand-picked quote. No noise.