If you feel dirty, insignificant or unloved, then rats are a good role model. They exist without permission, they have no respect for the hierarchy of society, and they have sex 50 times a day.
BanksyRead
People are fond of using military terms to describe what they do. We call it bombing when we go out painting, when of course it's more like entertaining the troops in a neutral zone, during peacetime in a country without an army.
Interpretation
The quote highlights the irony of using militaristic language in artistic expression.
Banksy's quote critiques the tendency to apply aggressive military terminology to artistic endeavors, suggesting a disconnect between the brutality of war and the peaceful nature of art. By comparing painting to 'entertaining the troops in a neutral zone', he emphasizes that art should foster understanding and creativity rather than conflict, reflecting on society's often misguided use of language.
In practice
In a speech about modern art, one might say, 'As Banksy suggests, we must be careful about the language we choose when discussing artistic endeavors.'
If you feel dirty, insignificant or unloved, then rats are a good role model. They exist without permission, they have no respect for the hierarchy of society, and they have sex 50 times a day.
T.V. has made going to the theatre seem pointless, photography has pretty much killed painting but graffiti has remained gloriously unspoilt by progress.
I originally set out to try and save the world, but now I'm not sure I like it enough.
Graffiti ultimately wins out over proper art because it becomes part of your city, it' s a tool; "I'll meet you in that pub, you know, the one opposite that wall with a picture of a monkey holding a chainsaw". I mean, how much more useful can a painting be than that?
Think outside the box, collapse the box, and take a f**king sharp knife to it.
Gaza is often described as 'the world's largest open air prison' because no-one is allowed to enter or leave. But that seems a bit unfair to prisons - they don’t have their electricity and drinking water cut off randomly almost every day.
Painting is an infinitely minute part of my personality.
In Britten or Berg, there's a tension between the sweet and the sour, between the familiar and the unfamiliar, the tonal and the atonal, the happy and the sad. That, to me, is what all western art is about - that tension. It's why we want to say anything at all.
Joy, sorrow, tears, lamentation, laughter -- to all these music gives voice, but in such a way that we are transported from the world of unrest to a world of peace, and see reality in a new way, as if we were sitting by a mountain lake and contemplating hills and woods and clouds in the tranquil and fathomless water.
All great art is revolutionary because it touches upon the reality of man and questions the reality of the various transitory forms of human society.
Cinema is the culmination of the obsessive, mechanistic male drive in western culture. The movie projector is an Apollonian straight-shooter, demonstrating the link between aggression and art. Every pictorial framing is a ritual limitation, a barred precinct.
No art is less spontaneous than mine. What I do is the result of reflection and the study of the great masters.
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