People are craving this great progress in electronics, going after computers, the Internet, etc. It's a giant progress technologically. But they must have a balance of soul, a balance for human beauty. That means art has an important role.
Interpretation
Technological advancements are essential, but they should be balanced with the beauty of art and human experience.
Mstislav Rostropovich emphasizes the importance of achieving a balance between technological progress and the artistic enrichment of human life. While advancements such as computers and the Internet represent significant strides in technology, they should not overshadow the essential role of art in nurturing the soul and enhancing the human experience.
In practice
In a speech about the importance of creativity in education.
Every man must have the right fearlessly to think independently and express his opinion about what he knows, what he has personally thought about and experienced, and not merely to express with slightly different variations the opinion which has been inculcated in him.
The artist must forget the audience, _x000D_ forget the critics, forget the technique, forget everything but love for the music._x000D_ Then, the music speaks through the performance,_x000D_ and the performer and the listener will walk together_x000D_ with the soul of the composer, and with_x000D_ God.
When I started learning the cello, I fell in love with the instrument because it seemed like a voice - my voice.
I know that after my letter there will be undoubtedly an 'opinion' about me, but I am not afraid of it. I openly say what I think. Talent, of which we are proud, must not be submitted to the assaults of the past.
Now I come to 75 years of age, I think what's most important in life is your conscience. If you told a lie and made other people suffer, I think that's very difficult when you reach this age.
All my life I wanted to play music with love to every member of the audience.
I heard someone from the music business saying they are no longer looking for talent, they want people with a certain look and a willingness to cooperate. I thought, that's interesting, because I believe a total unwillingness to cooperate is what is necessary to be an artist — not for perverse reasons, but to protect your vision. The considerations of a corporation, especially now, have nothing to do with art or music. That's why I spend my time now painting.
I don't care if the audience is 600 Saul Bellows; I'm going to knock them dead with a comedy routine. I'm out there as a missionary for literature because, if people laugh and enjoy themselves, they might actually do something as bizarre as reading the book.
As artists, we can help, visually and intellectually, to make people understand that, at some point, we have to accept that it is our collective impact that is putting the whole planet in jeopardy.
Speed is scarcely the noblest virtue of graphic composition, but it has its curious rewards. There is a sense of getting somewhere fast, which satisfies a native American urge.
I've always had an idealistic streak about storytelling in that I believe we owe more to audiences than repeatedly bludgeoning them over the head while stealing their lunch money. We owe them inspiration. That's why I'm more interested now in creating new heroes than hooking up jumper cables to old ones.
You have a lifetime to learn technique. But I can teach you what is more important than technique, how to see; learn that and all you have to do afterwards is press the shutter.
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