People think because it's photography it's not worth as much, and because it's a woman artist, you're still not getting as much - there's still definitely that happening. I'm still really competitive when it comes to, I guess, the male painters and male artists. I still think that's really unfair.
Interpretation
The quote conveys a critique of gender disparity in the valuation of art and the competitiveness faced by women artists.
Cindy Sherman's quote highlights the ongoing issues of gender bias in the art world, where the contributions of female artists may be undervalued compared to their male counterparts. She expresses her determination to compete with male artists, pointing out the unfairness of the situation and calling attention to the need for equality in recognition and financial compensation within the art community.
In practice
This quote would be powerful to use during an art exhibition opening to discuss gender issues in the arts.
I like making images that from a distance seem kind of seductive, colorful, luscious and engaging, and then you realize what you're looking at is something totally opposite. It seems boring to me to pursue the typical idea of beauty, because that is the easiest and the most obvious way to see the world. It's more challenging to look at the other side.
Everyone thinks these are self-portraits but they aren't meant to be. I just use myself as a model because I know I can push myself to extremes, make each shot as ugly or goofy or silly as possible.
I wanted pretty pictures of older women - women who are trying too hard but succeeding - pulling off an extreme look. What I didn't know would creep into the portraits was a vulnerability behind the strong facade that most of them wear.
Movies are a fad. Audiences really want to see live actors on a stage.
Just as our eyes need light in order to see, our minds need ideas in order to create.
The structure of a play is always the story of how the birds came home to roost.
I've been told, and I think I recognize it, that there's a cinematic quality to my writing, with a sense of image and place and scene - and, some would say, my tendency to finish my books the way Hollywood finishes its films.
Movies become living organisms that graduate from a filmmaker's sphere of influence and pretty much look back and tell you how they need to be said goodbye to. A movie often turns around and looks at you and says, "Here is who I am, and that's maybe now how you see me, but that's who I've become." And you've got to be open enough to go with that.
I like things that go into hidden, mysterious places, places I want to explore that are very disturbing. In that disturbing thing, there is sometimes tremendous poetry and truth.
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