If you want to be a good blues singer, people are going to be down on you, so dress like you're going to the bank to borrow money.
B. B. KingRead
People all over the world have problems. And as long as people have problems, the blues can never die.
Interpretation
This quote highlights the enduring nature of the blues genre, rooted in the universal experience of human struggles.
B.B. King's quote suggests that music, especially the blues, serves as a reflection of the human condition, capturing the essence of life's challenges. As long as people face hardships, the blues will continue to resonate, providing a voice to emotions and experiences that are shared globally. It emphasizes the idea that art, particularly music, is shaped by the realities of life, and in that sense, it is timeless.
In practice
This quote could be used to introduce a discussion about the impact of music on society in a lecture.
If you want to be a good blues singer, people are going to be down on you, so dress like you're going to the bank to borrow money.
The way I feel today, as long as my health is good and I can handle myself well and people still come to my concerts, still buy my CDs, I'll keep playing until I feel like I can't.
Everything I record, I just try to sound like me and come up with songs that suit what I do and then just go for it. I never know what the public's going to like, anyway.
A guitar is like an old friend that is there with me.
I have not been a good father, but no father has loved his children more. Like my father, I decided the best thing I could do for my kids was work and provide. Fortunately, I've been able to do that. Unfortunately, my work was on the road, and that's meant a life of one-nighters.
When people treat you mean, you dislike them for that, but not because of their person, who they are. I was born and raised in a segregated society, but when I left there, I had nobody I disliked other than the people that'd mistreated me, and that only lasted for as long as they were mistreating me.
I'm well past the age where I'm acceptable. You get to a certain age and you are forbidden access. You're not going to get the kind of coverage that you would like in music magazines, you're not going to get played on radio and you're not going to get played on television. I have to survive on word of mouth.
When punk came along, I found my generation's music. I grew up listening to the Beatles and the Rolling Stones and Pink Floyd, 'cause that was what got played in the house. But when I first saw the Stranglers, I thought, 'This is it.'
When I started playing music, people weren't selling 5 million records. That was not the standard; that was not the focus.
I can't think of a greater guitar icon than someone who has the musical intellect to change what was there before and take music in another direction. That's a guitar hero for me.
I'd love to do a duet, always wanted to work with Madonna, but she never asked.
I've always been obsessed with drums. They fascinate me. Any other instrument - nothing. I play acoustic guitar a bit. But it's always been drums first and foremost. I don't reckon on this Jack-of-all-trades thing. I thing that felling is a lot more important than technique. It's all very well doing a triple paradiddle - but who's going to know you've done it? If you play technically you sound like everybody else. It's being original that counts.
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