I would love to see more women directors because they represent half of the population and gave birth to the whole world. Without them the rest [of the world] are not getting to know the whole story.
Jane CampionRead
Performers are so vulnerable. They're frightened of humiliation, sure their work will be crap. I try to make an environment where it's warm, where it's OK to fail - a kind of home, I suppose.
Interpretation
Performers often feel exposed and fearful of judgment, so creating a supportive environment helps them to be brave and creative.
In this quote, Jane Campion highlights the inherent vulnerability that performers experience in their craft, as they often fear that their work will not meet expectations or will be ridiculed. Campion emphasizes the importance of fostering a safe and nurturing atmosphere where individuals can embrace their fears and failures, suggesting that this supportive environment is akin to a home where creativity can thrive without the burden of judgment.
In practice
A theater director might quote this in a rehearsal to encourage actors to take risks.
I would love to see more women directors because they represent half of the population and gave birth to the whole world. Without them the rest [of the world] are not getting to know the whole story.
It's a luxury to be able to tell a long form story. I love novels, and I love to have a long relationship with characters.
To deny women directors, as I suspect is happening in the States, is to deny the feminine vision.
What I have learned from my work up to now, is to try to be open, but also protect myself by not letting the good and the evil get too much importance.
One of the things we learn in movies directed by men is what the 'fantasy woman' is. What we learn in movies directed by women is what real women are about. I don't think that men see things wrong and women right, just that we do see things differently.
I had a daughter who was 9 years old and I had the feeling I wasn't going to be a real parent if I didn't quit making movies for a while and spend time with her. I also felt that I'd made enough movies and said what I had to say at the time.
I've never written a song in my life. It's all a big hoax.
The groove is so mysterious. We're born with it and we lose it and the world seems to split apart before our eyes into stupid and cool. When we get it back, the world unifies around us, and both stupid and cool fall away. I am grateful to those who are keepers of the groove. The babies and the grandmas who hang on to it and help us remember when we forget that any kind of dancing is better than no dancing at all.
Maybe I'm outdated in thinking this, but because I'm a young black woman and don't see very many being the lead in a film, I have this fear: 'Will I be working?'
The creative union of the conscious with the unconscious is what one usually calls 'inspiration.'
the whole purport of literature...is the notation of the heart. Style is but the faintly contemptible vessel in which the bitter liquid is recommended to the world.
My early childhood equipped me really well for my portrait work: The quick encounter, where you are not going to know the subject for very long. These days I am much more comfortable with the fifteen minute relationship, than I am with a life long relationship.
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