May I suggest that you all read? And often. Believe me, it's nice to have something to talk about other than the weather and the Queen's health. Your mind is not a cage. It's a garden. And it requires cultivating.
Libba BrayRead
Perhaps this is how girls fall -- not in some crime of enchantment at the hands of a wicked ne'er-do-well, a grand before and after in which they are innocent victims who have no say in the matter. Perhaps they simply are kissed and want to kiss back. Perhaps they even kiss first. And why should they not?
Interpretation
The quote explores how girls experience love and attraction, suggesting agency in their choices.
In this quote, Libba Bray reflects on the complexities of romantic attraction among girls, challenging traditional narratives that depict them as passive victims in love. Instead, she proposes that girls often actively participate in relationships, making their own choices about affection and desire, and emphasizes the importance of recognizing their agency in these experiences.
In practice
This quote would be perfect for a discussion on female empowerment in romantic relationships.
May I suggest that you all read? And often. Believe me, it's nice to have something to talk about other than the weather and the Queen's health. Your mind is not a cage. It's a garden. And it requires cultivating.
In school, they would tell you that life wouldn’t come to you; you had to go out and make it your own. But when it came to love, the message for girls seemed to be this: Don’t. Don’t go after what you want. Wait. Wait to be chosen, as if only in the eye of another could one truly find value. The message was confusing and infuriating. It was a shell game with no actual pea under the rapidly moving cups.
I am no longer content to be the scared, obedient schoolgirl. Who are you, a stranger, to tell me what I can and cannot do?
We all walk in a land of dreams. For what are we but atoms and hope, a handful of stardust and sinew? We are weary travelers trying to find our way home on a road that never ends. Am I a part of your dream? or are you but a part of mine?
In a world beyond this one, that river goes on singing sweetly, enchanting us with what we want to hear, shaping what we need to see in order to keep going. In those waters, all disappointments are forgotten, our mistakes forgiven. Gazing into them, we see a strong father. A loving mother. Warm rooms where we are sheltered, adored, wanted. And the uncertainty of our futures is nothing more than the fog of breath on a windowpane.
We're all strangers connected by what we reveal, what we share, what we take away--our stories. I guess that's what I love about books--they are thin strands of humanity that tether us to one another for a small bit of time, that make us feel less alone or even more comfortable with our aloneness, if need be.
Yes I have loved, as no one on earth ever loved, with an insensate and furious love, so violent that I wonder it did not break my heart
It was a lover and his lass, _x000D_ _x000D_ With a hey, and a ho, and a hey nonino,_x000D_ _x000D_ That o'er the green corn-field did pass,_x000D_ _x000D_ In the spring time, the only pretty ring time,_x000D_ _x000D_ When birds do sing, hey ding a ding, ding;_x000D_ _x000D_ Sweet lovers love the spring.
Love is a fan club with only two fans.
Why, darling, I don't live at all when I'm not with you.
It is always difficult to give oneself up; few persons anywhere ever succeed in doing so, and even fewer transcend the possessive stage to know love for what it actually is: a perpetual discovery, and immersion in the waters of reality, an unending re-creation.
The brooks flow to their lover, the sea, and the flowers smile at the object of their passion, the light. The mist rolls down to its beloved, the valley. And I? In me is what brooks do not know, what flowers do not hear, what the mist does not apprehend. You see me alone in my love, solitary in my yearning.
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