I felt very greatly honoured to be given a Damehood and never expected to receive anything else. So for Her Majesty to bestow a further accolade on me is very unexpected and I feel even more honoured.
Vera LynnRead
Perhaps it is no surprise I became an entertainer because many of my relatives were natural performers. Dad, who had a fine pair of lungs, was master of ceremonies at East Ham working men's club in east London. I felt so proud when I saw him in his white gloves calling out the names of the dances.
Interpretation
This quote reflects the pride and influence of familial connections in shaping one's career in the arts.
Vera Lynn's quote conveys the profound impact of her family's artistic background on her own path as an entertainer. Her admiration for her father's role as a master of ceremonies highlights not only a personal pride but also the cultural significance of performance within familial and community contexts, suggesting that our talents may be nurtured and inspired by those who came before us.
In practice
This quote could be used during a family reunion speech, highlighting the importance of family heritage in personal achievements.
I felt very greatly honoured to be given a Damehood and never expected to receive anything else. So for Her Majesty to bestow a further accolade on me is very unexpected and I feel even more honoured.
In 1939, a newspaper ran a competition for the first load of boys off to war to pick their favourite singer. They chose me from my radio broadcasts. That's when I became known as the 'forces' sweetheart.'
It is so important that British children are taught about the World Wars that their great grandparents fought in and lived through. It was a terrifying time.
You can't have it all one way - be on the telly and the radio and make lots of money - and not offer anything to your followers when they need you.
I always felt that whatever I had to endure was nothing compared to what the average soldier, sailor or airman had to put up with.
Make up your mind what you want to do, and go and get it. Make sure it is not at the expense of anyone else, though.
The creative union of the conscious with the unconscious is what one usually calls 'inspiration.'
I sort of recognize it, as opposed to shaping it. Oh, that's a good idea, that's a good line. I wonder where I can use that. And when you get into a rhyme group like 'not,' you got a lot of rhymes, you got a lot of choices. The more you do it, the luckier you get.
People are already finding ways to make their music and play it in front of people and have a life in music, I guess, and I think that's pretty much all you can ask.
An essential portion of any artist’s labor is not creation so much as invocation. Part of the work cannot be made, it must be received; and we cannot have this gift except, perhaps, by supplication, by courting, by creating within ourselves that ‘begging bowl’ to which the gift is drawn.
Drumming completely eclipsed my life from age 13, when I started drum lessons. Everything disappeared. I'd done well in school up until that time. I was fairly adjusted socially up until that time. And I became completely monomania, obsessed all through my teens. Nothing else existed anymore.
[A writer is] a priest of eternal imagination, transmuting the daily bread of experience into the radiant body of everliving life.
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