The sun never knew how great it was until it hit the side of a building.
Louis KahnRead
The person of old had the same brilliance of mind that we assume we have now. But that which made a thing become manifest for the first time is our great moment of creative happening.
Interpretation
This quote emphasizes the timeless nature of human creativity and the significance of moments that lead to new manifestations of ideas.
Louis Kahn reflects on the brilliance of individuals throughout history, suggesting that the insightful minds of the past are comparable to our own. However, he highlights the importance of the moments of creativity that allow new ideas and forms to emerge, suggesting that creativity is not just an intellectual endeavor, but a transformative experience that brings forth new realities.
In practice
In a speech about innovation, one could use this quote to highlight the importance of creativity in bringing new ideas to life.
The sun never knew how great it was until it hit the side of a building.
I sense a Threshold: Light to Silence, Silence to Light - an ambiance of inspiration, in which the desire to be, to express, crosses with the possible Light to Silence, Silence to Light crosses in the sanctuary of art.
Greek architecture taught me that the column is where the light is not, and the space between is where the light is. It is a matter of no-light, light, no-light, light. A column and a column brings light between them. To make a column which grows out of the wall and which makes its own rhythm of no-light, light, no-light, light: that is the marvel of the artist.
The room is the beginning of architecture.
Architecture is the reaching out for the truth.
The creation of art is not the fulfillment of a need but the creation of a need. The world never needed Beethoven's Fifth Symphony until he created it. Now we could not live without it.
Volume depends precisely on the writer's having been able to sit in a room every day, year after year, alone.
All you can do is show people...You tell stories that are true and compelling.
I think, when I write, one of the things that I'm really attempting to do is I'm attempting to humanize my characters.
When I first began choreographing, I never thought of it as choreography but as expressing feelings. Though every piece is different, they are all trying to get at certain things that are difficult to put into words. In the work, everything belongs to everything else - the music, the set, the movement and whatever is said.
When the woman you live with is an artist, every day is a surprise.
If you are not moved by the character, no amount of CGI will give you a performance that is emotionally engaging or devastating - what a live-action performance does.
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