I can’t stand these damn shows on museum walls with neat little frames, where you look at the images as if they were pieces of art. I want them to be pieces of life!
W. Eugene SmithRead
The photographer must bear the responsibility for his work and its effect …[for] photographic journalism, because of its tremendous audience reached by publications using it, has more influence on public thinking than any other branch of photography.
Interpretation
Photographers play a crucial role in shaping public perception through their work and must take responsibility for it.
W. Eugene Smith emphasizes the significant impact that photographic journalism has on public opinion and social issues. He argues that photographers not only capture reality but also influence how events and narratives are perceived by a wide audience, and thus they need to be accountable for their portrayals and the messages their work conveys.
In practice
During a photography exhibition discussing the impact of images on social issues.
I can’t stand these damn shows on museum walls with neat little frames, where you look at the images as if they were pieces of art. I want them to be pieces of life!
I've never made any picture, good or bad, without paying for it in emotional turmoil.
Most photographers seem to operate with a pane of glass between themselves and their subjects. They just can't get inside and know the subject.
Up to and including the moment of exposure, the photographer is working in an undeniably subjective way. By his choice of technical approach, by the selection of the subject matterand by his decision as to the exact cinematic instant of exposure, he is blending the variables of interpretation into an emotional whole.
I try to take what voice I have and I give it to those who don’t have one at all.
Many claim I am a photographer of tragedy. In the greater sense I am not, for though I often photograph where the tragic emotion is present, the result is almost invariably affirmative.
I write screenplays in the middle of the night.
Each time I make a movie, it's a little bit like taking another course in something because there's an argument between these people that I don't necessarily have an answer to.
Burmese authors and artists can play the role that artists everywhere play. They help to mold the outlook of a society - not the whole outlook, and they are not the only ones to mold the outlook of society, but they have an important role to play there.
Every actor has to make terrible films from time to time, but the trick is never to be terrible in them.
People on the outside think there's something magical about writing, that you go up in the attic at midnight and cast the bones and come down in the morning with a story, but it isn't like that. You sit in back of the typewriter and you work, and that's all there is to it.
The artist is a member of the leisured classes who cannot pay for his leisure.
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