The camera is for us a tool, not a pretty mechanical toy ... people think far too much about techniques and not enough about seeing.
Henri Cartier-BressonRead
Photography has not changed since its origin except in its technical aspects, which for me are not important.
Interpretation
Photography's essence remains unchanged, focusing on capturing moments rather than technical advancements.
Henri Cartier-Bresson's quote emphasizes that while the technical side of photography has evolved over time, the fundamental purpose of photography—capturing genuine moments and emotions—remains constant. He suggests that the heart of photography lies not in the technology used but in the ability to convey a story or feeling through an image.
In practice
In a photography workshop, one might use this quote to inspire students about the importance of vision over technique.
The camera is for us a tool, not a pretty mechanical toy ... people think far too much about techniques and not enough about seeing.
The most difficult thing for me is a portrait. You have to try and put your camera between the skin of a person and his shirt.
Photographier: c'est mettre sur la meme ligne de mire la tete, l'oeil et le coeur.
Above all, I craved to seize the whole essence, in the confines of one single photograph, of some situation that was in the process of unrolling itself before my eyes.
Pictures, regardless of how they are created and recreated, are intended to be looked at. This brings to the forefront not the technology of imaging, which of course is important, but rather what we might call the eyenology (seeing).
I'm not responsible for my photographs. Photography is not documentary, but intuition, a poetic experience. It's drowning yourself, dissolving yourself, and then sniff, sniff, sniff - being sensitive to coincidence. You can't go looking for it; you can't want it, or you won't get it. First you must lose your self. Then it happens.
Fiction is such a world of freedom, it's wonderful. If you want someone to fly, they can fly.
Whosoever knoweth the power of the dance, dwelleth in God.
Luxury is the wolf at the door and its fangs are the vanities and conceits germinated by success. When an artist learns this, he knows where the danger is.
It is my dream to create an art which is filled with balance, purity and calmness, freed from a subject matter that is disconcerting or too attention-seeking. In my paintings, I wish to create a spiritual remedy, similar to a comfortable armchair which provides rest from physical expectation for the spiritually working, the businessman as well as the artist.
I think of writing as a sculptural medium. You are not building things. You are removing things, chipping away at language to reveal a living form.
The concept with Off-White is that I have no ideal target. It's more about trying to make something for everyone. And I think that's what helps make it unique. That there isn't a specific muse.
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