The camera is for us a tool, not a pretty mechanical toy ... people think far too much about techniques and not enough about seeing.
Henri Cartier-BressonRead
Photography has not changed since its origin except in its technical aspects, which for me are not important.
Interpretation
Photography's essence remains unchanged, focusing on capturing moments rather than technical advancements.
Henri Cartier-Bresson's quote emphasizes that while the technical side of photography has evolved over time, the fundamental purpose of photography—capturing genuine moments and emotions—remains constant. He suggests that the heart of photography lies not in the technology used but in the ability to convey a story or feeling through an image.
In practice
In a photography workshop, one might use this quote to inspire students about the importance of vision over technique.
The camera is for us a tool, not a pretty mechanical toy ... people think far too much about techniques and not enough about seeing.
The most difficult thing for me is a portrait. You have to try and put your camera between the skin of a person and his shirt.
Photographier: c'est mettre sur la meme ligne de mire la tete, l'oeil et le coeur.
Above all, I craved to seize the whole essence, in the confines of one single photograph, of some situation that was in the process of unrolling itself before my eyes.
Pictures, regardless of how they are created and recreated, are intended to be looked at. This brings to the forefront not the technology of imaging, which of course is important, but rather what we might call the eyenology (seeing).
I'm not responsible for my photographs. Photography is not documentary, but intuition, a poetic experience. It's drowning yourself, dissolving yourself, and then sniff, sniff, sniff - being sensitive to coincidence. You can't go looking for it; you can't want it, or you won't get it. First you must lose your self. Then it happens.
There's that old cliche that art is never finished, only abandoned. That's the nice thing about comics. It forces you to abandon it long before maybe you're ready to let it go.
There was a whole language that I could never make function for myself in relationship to painting, and that was attitudes like tortured, struggle, pain.
Cinema is an art form that is designed to go across borders. And as a filmmaker, the only way I can direct a movie is when I feel close to my culture.
I mean, give me a guitar, give me a piano, give me a broom and string, I wouldn't get bored anywhere.
All architecture has a public nature, I believe, so I would like to make a public space.
I'm a writer and, therefore, automatically a suspicious character.
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