Drawing is the artist's most direct and spontaneous expression, a species of writing: it reveals, better than does painting, his true personality.
Edgar DegasRead
I put it [picture "A still life of a pear" by Edouard Manet] there [on the wall, next to the picture "Jupiter and Thetis" by Jean-Auguste-Dominique Ingres], for a pear like that would overthrow any god.
Interpretation
Edgar Degas expresses how the beauty of Manet's artwork can rival even divine representations.
In this quote, Edgar Degas highlights the profound impact that art can have on perception and value. By placing a seemingly simple still life of a pear beside grand mythological works, he suggests that the beauty and mastery found in everyday subjects can be so compelling that they challenge the very ideals represented by classical themes, emphasizing the significance of art in redefining beauty and importance.
In practice
In an art presentation highlighting the importance of still life, this quote by Degas can emphasize how everyday objects can hold deep significance.
Drawing is the artist's most direct and spontaneous expression, a species of writing: it reveals, better than does painting, his true personality.
No art is less spontaneous than mine. What I do is the result of reflection and the study of the great masters.
Everyone has talent at twenty-five. The difficulty is to have it at fifty.
It is all very well to copy what one sees, but it is far better to draw what one now only sees in one's memory. That is a transformation in which imagination collaborates with memory.
The Dance instills in you something that sets you apart. Something heroic and remote.
You have to have a high conception, not of what you are doing, but of what you may do one day: without that, there's no point in working.
... poetry is not a luxury. It is a vital necessity of our existence. It forms the quality of the light within which we predicate our hopes and dreams toward survival and change, first made into language, then into idea, then into more tangible action. Poetry is the way we help give name to the nameless so it can be thought. The farthest horizons of our hopes and fears are cobbled by our poems, carved from the rock experiences of our daily lives.
I don't go into the studio with the idea of 'saying' something. What I do is face the blank canvas and put a few arbitrary marks on it that start me on some sort of dialogue.
The first thing that an architect must do is to sense that every building you build is a world of its own, and that this world of its own serves an institution.
Drawing is a way of coming upon the connection between things, just like metaphor in poetry reconnects what has become separated.
For, I must tell you, in this world where today all lose their minds over many & wondrous Machines - some of which, alas, you can see also in this Siege - I construct Aristotelian Machines, that allow anyone to see with Words.
I collected pictures and I drew pictures and I looked at the pictures by myself. And because no one else ever saw them, the pictures were perfect and true. They were alive.
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