Auden said poetry makes nothing happen. But I wonder if the opposite could be true. It could make something happen.
Carol Ann DuffyRead
I have piles of poetry books in the bathroom, on the stairs, everywhere. The only way to write poetry is to read it.
Interpretation
Reading poetry is essential for writing poetry.
Carol Ann Duffy emphasizes the importance of immersing oneself in the work of others to cultivate one's own creativity in poetry. By surrounding herself with poetry in various places, she highlights that constant exposure to poetic forms and styles nurtures the ability to write, suggesting that reading serves as a foundational practice for all writers.
In practice
In a writer's workshop, to emphasize the importance of reading, one might quote Duffy's insight about poetry.
Auden said poetry makes nothing happen. But I wonder if the opposite could be true. It could make something happen.
You have me like a drawing, erased, coloured in, untitled, signed by your tongue.
Poetry, above all is a series of intense moments Β its power is not in narrative. I'm not dealing with facts, I'm dealing_x000D_ with emotion.
The moment of inspiration can come from memory, or language, or the imagination, or experience - anything that makes an impression forcibly enough for language to form.
Poetry and prayer are very similar.
I still have a feeling that I haven't written the best that I can write. I think all poets must feel this: that there is constantly something new to be discovered in the language. It's like a thrilling encounter, and you can find things.
What an artist is for is to tell us what we see but do not know that we see.
All too often, when creative people pick out someone else's creative work as an inspiration, what they end up with is very, very far from the original.
When you write from your gut and let the stuff stay flawed and don't let anybody tell you to make it better, it can end up looking like nothing else.
Some artists I know, they would rather not see the audience or envision them. But for me, I'd rather see them. I feel like part of the reason I perform is to feel that connection. It's the reason I love it so much.
I hate pretty. Itβs a very empty word. It gives a bad name to beauty.
The most important tribute any human being can pay to a poem or a piece of prose he or she really loves is to learn it by heart. Not by brain, by heart; the expression is vital.
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