You are the plays you write. How on earth could you write them otherwise? They're projections of your own predilections.
Interpretation
This quote suggests that our creations reflect our inner thoughts and preferences.
Tom Stoppard's quote emphasizes the idea that our artistic expressions, including the works we create, are deeply rooted in our personal experiences, beliefs, and inclinations. It implies that to understand our art, one must explore the inner workings of our minds, as they are the true source of inspiration and storytelling. Each piece we write is a manifestation of who we are, suggesting that our identity and creativity are intertwined.
In practice
In a discussion about the influence of personal experiences on storytelling.
Love is - OK, it's 20 things, but it isn't 19. And I think that love reaches for something which is very, very deep in us and is very easily obscured, and is also very easily denied, which is the instinct towards the other person, other than toward the self.
A movie camera is like having someone you have a crush on watching you from afar - you pretend it's not there.
I once did a radio program with a famous materialist, that is to say a scientist who believed that absolutely everything was physical and that all emotions were reductive to little electrical impulses in your neurons. And I found that I didn't believe that. But what the emotions really are, I don't have an alternative theory.
One of the reasons why there are so many versions of Chekhov is that translations date in a way that the original doesn't; translations seem to be of their time.
A Chinaman of the T'ang Dynasty—and, by which definition, a philosopher—dreamed he was a butterfly, and from that moment he was never quite sure that he was not a butterfly dreaming it was a Chinese philosopher. Envy him; in his two-fold security.
Chekhov directors and Chekhov actors love working on his plays because there seems to be no end to what you can find out about the micro-narrative when you're investigating a text.
The home to everyone is to him his castle and fortress, as well for his defence against injury and violence, as for his repose.
A display of indifference to all the actions and passions of mankind was not supposed to be such a distinguished quality at that time, I think, as I have observed it to be considered since. I have known it very fashionable indeed. I have seen it displayed with such success, that I have encountered some fine ladies and gentlemen who might as well have been born caterpillars.
Truth is one, but error proliferates. Man tracks it down and cuts it up into little pieces hoping to turn it into grains of truth. But the ultimate atom will always essentially be an error, a miscalculation.
It seems to me then as if all the moments of our life occupy the same space, as if future events already existed and were only waiting for us to find our way to them at last, just as when we have accepted an invitation we duly arrive in a certain house at a given time.
Many Christians take their time and have leisure enough in their social life (no hurry here). They are leisurely, too, in their professionally activities, at table and recreation (no hurry here either). But isn't it strange how those same Christians find themselves in such a rush and want to hurry the priest, in their anxiety to shorten the time devoted to the most holy sacrifice of the altar?
I have now come to a stage of realization in which I see that God is walking in every human form and manifesting Himself alike through the sage and the sinner, the virtuous and the vicious. Therefore when I meet different people I say to myself, “God in the form of the saint, God in the form of the sinner, God in the form of the righteous, God in the form of the unrighteous.
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