I've had no contact with my daughter for years. That's her choice. Anyway, you move on. If people don't want to bother with me, fine. You know, God bless them, and move on.
Anthony HopkinsRead
It's such a pleasant surprise when you come on set and you find someone in charge like Ken Branagh or James Ivory. You know that you're going to do a day's work and at the end of it, it's going to be good.
Interpretation
Great leadership in creative environments leads to quality work and satisfaction.
In this quote, Anthony Hopkins expresses his appreciation for strong leadership in the film industry, specifically mentioning directors like Ken Branagh and James Ivory. He highlights the importance of having skilled and reliable figures in charge, suggesting that such leadership fosters an environment where actors can perform confidently, knowing that the resulting work will reflect professionalism and creativity.
In practice
In a speech about filmmaking at a festival, one could use this quote to highlight the importance of strong direction.
I've had no contact with my daughter for years. That's her choice. Anyway, you move on. If people don't want to bother with me, fine. You know, God bless them, and move on.
I was hell bent on destruction... it was like being possessed by a demon.
I always had a knack for improvisation. I can write down the notes I play, but never really had a proper academic musical background. I suppose I'm blessed and cursed by the fact I have that freedom.
At my age, any day above ground and vertical is a good day.
I was bullied as a boy - lots of kids are, but hopefully most of us get on with our lives and grow up.
I don't have many friends; I'm very much a loner. As a child I was very isolated and I've never been really close to anyone.
The creation of something new is not accomplished by the intellect but by the play instinct acting from inner necessity. The creative mind plays with the objects it loves.
My working method has more often than not involved the subtraction of weight. I have tried to remove weight, sometimes from people, sometimes from heavenly bodies, sometimes from cities; above all I have tried to remove weight from the structure of stories and from language. . . . Maybe I was only then becoming aware of the weight, the inertia, the opacity of the world--qualities that stick to the writing from the start, unless one finds some way of evading them.
I don't write because there's an audience. I write because there is literature.
You must be really bad, because it is a puzzle. Creating anything is hard. It’s a cliché thing to say, but every time you start a job, you just don’t know anything. I mean, I can break something down, but ultimately I don’t know anything when I start work on a new movie. You start stabbing out, and you make a mistake, and it’s not right, and then you try again and again. The key is you have to commit. And that’s hard because you have to find what it is you are committing to.
It is the most fun I’m ever going to have. I love to write. I love it. I mean, there’s nothing in the world I like better, and that includes sex, probably because I’m so very bad at it. It’s the greatest peace when I’m in a scene, and it’s just me and the character, that’s it, that’s where I want to live my life.
Honest criticism and sensitive appreciation are directed not upon the poet but upon the poetry.
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