The function of a book or a poem or a story is to delight, to enchant, to beguile.
Philip PullmanRead
I tried writing out a plot with the second or third novel I wrote, and it was so boring, so desperately boring.
Interpretation
This quote highlights the struggle of creating engaging narratives when constrained by rigid planning.
Philip Pullman expresses his frustration with the process of meticulously plotting a story, suggesting that such a formulaic approach can lead to dullness in writing. The author implies that creativity thrives in spontaneity and freedom rather than strict adherence to an outline, allowing ideas to flow naturally and engagingly.
In practice
In a writing workshop, to emphasize the importance of spontaneity in creative writing.
The function of a book or a poem or a story is to delight, to enchant, to beguile.
Education and health were always matters of charity. You educated children and you helped the sick because they were good things to do, not because you were going to make money out of them. If you let the money-making principle, the profit-seeking motive, anywhere near education and health, things go bad.
To get the best out of life here ...Good grief. There's plenty of it about, so indulge. Give yourself some thing to remember. Fall in love. Fall out of love. Gamble. Get drunk. See how long you can stay awake. Go for long walks at night. Discover what you're afraid of doing, and then do it.
People should decide on the books' meanings for themselves. They'll find a story that attacks such things as cruelty, oppression, intolerance, unkindness, narrow-mindedness, and celebrates love, kindness, open-mindedness, tolerance, curiosity, human intelligence.
I told him I was going to betray you, and betray Lyra, and he believed me because I was corrupt and full of wickedness; he looked so deep I felt sure he'd see the truth. But I lied too well. I was lying with every nerve and fiber and everything I'd ever done...I wanted him to find no good in me, and he didn't. There is none.
Lyra learns to her great cost that fantasy isnβt enough. She has been lying all her life, telling stories to people, making up fantasies, and suddenly she comes to a point where thatβs not enough. All she can do is tell the truth. She tells the truth about her childhood, about the experiences she had in Oxford, and that is what saves her. True experience, not fantasy - reality, not lies - is what saves us in the end.
The problem with too beautiful a view is that it's alright for the mulling stage. But for the writing stage, you want to be somewhere without a view, especially if it is very different from what you're writing.
A work of art has no importance whatever to society. It is only important to the individual.
Designers take care of everything around us. Everything that is around us, this table, this chair, this lamp, this pen has been designed. All of these things, everything has been designed by somebody.
The act of writing a song involves a degree of letting go of yourself, and that's very much being a child.
There will be no new music until it's good enough and until I'm ready.
At Sarah Lawrence, I realized that everybody was already what they were going to be. The painters were painting, the writers writing, the dancers dancing. And nobody wore any makeup. The art was uppermost.
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