Give me hunger, pain and want, Shut me out with shame and failure From your doors of gold and fame, Give me your shabbiest, weariest hunger! But leave me a little love.
Carl SandburgRead
I wrote poems in my corner of the Brooks Street station. I sent them to two editors who rejected them right off. I read those letters of rejection years later and I agreed with those editors.
Interpretation
This quote reflects the journey of a poet who faced rejection but later recognized the validity of that criticism.
Carl Sandburg's quote illustrates the experience of an artist grappling with rejection. Initially, he faced the disappointment of having his poems dismissed by editors, but upon reflecting on those rejections years later, he came to understand and agree with the critics' judgments. This highlights the growth that can come from experiences of failure and the importance of self-reflection in the creative process.
In practice
This quote could be used in a speech about resilience in creative fields.
Give me hunger, pain and want, Shut me out with shame and failure From your doors of gold and fame, Give me your shabbiest, weariest hunger! But leave me a little love.
Nothing happens... but first a dream.
Read the dictionary from A to Izzard today. Get a vocabulary. Brush up on your diction. See whether wisdom is just a lot of language.
My name is Truth and I am the most elusive captive in the universe.
There is an eagle in me that wants to soar, and there is a hippopotamus in me that wants to wallow in the mud.
A liar goes in fine clothes, a liar goes in rags, a liar is a liar, clothes or no clothes.
The song is ended, but the melody lingers on.
If you think about the way we experience art, the paradigm is still Western European. If I go to the National Gallery, what am I going to see the most of? I'm not going to see a whole lot of black figures in pictures.
Black writers, of whatever quality, who step outside the pale of what black writers are supposed to write about, or who black writers are supposed to be, are condemned to silences in black literary circles that are as total and as destructive as any imposed by racism.
The seeming significance of nature's appearances, their unchanging strangeness to the senses, and the thrilling response which they awaken in the mind of man . . . If we could only write near enough to the facts, and yet with no pedestrian calm, but ardently, we might transfer the glamour of reality direct upon our pages.
When you design a building, you start from a general philosophy, and you come down, and you start from detail and come up. Only the theoretical architect believes that you can make the concept and then sometime, somebody will come to build it.
A picture is a thing which requires as much knavery, as much malice, and as much vice as the perpetration of a crime. Make it untrue and add an accent of truth.
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