Some poems present themselves as cliffs that need to be climbed. Others are so defensive that when you approach their enclosure you half expect to be met by a snarling dog at the gate. Still others want to smother you with their sticky charms.
Interpretation
This quote describes the varying complexities and emotional responses elicited by different types of poetry.
In this quote, Stanley Kunitz illustrates how poetry can evoke a wide range of feelings and reactions in its audience. He metaphorically compares poems to cliffs, defensive animals, and enchanting traps, suggesting that some poems challenge us, others protect themselves from scrutiny, and some are irresistibly engaging but potentially overwhelming. This reflects the diverse nature of poetry and how it can either invite or inhibit engagement based on its presentation.
In practice
During a poetry reading, one could use this quote to explain how various styles of poetry impact the audience differently.
When you look back on a lifetime and think of what has been given to the world by your presence, your fugitive presence, inevitably you think of your art, whatever it may be, as the gift you have made to the world in acknowledgment of the gift you have been given, which is the life itself... That work is not an expression of the desire for praise or recognition, or prizes, but the deepest manifestation of your gratitiude for the gift of life.
...few young poets [are] testing their poems against the ear. They're writing for the page, and the page, let me tell you, is a cold bed.
Writer's block is a natural affliction. Writers who have never experienced it have something wrong with them. It means there isn't enough friction-that they aren't making enough of an effort to reconcile the contradictions of life. All you get is sweet monotonous flow. Writer's block is nothing to commit suicide over. It simply indicates some imbalance between your experience and your art, and I think that's constructive.
I want to write poems that are natural, luminous, deep, spare. I dream of an art so transparent that you can look through and see the world.
The heart breaks and breaks and lives by breaking it is necessary to go through dark and deeper dark and not to turn
The universe is a continuous web. Touch it at any point and the whole web quivers.
The Mediterranean has the color of mackerel, changeable I mean. You don't always know if it is green or violet, you can't even say it's blue, because the next moment the changing reflection has taken on a tint of rose or gray.
Recently I danced in a video spoof of the song 'Gangnam Style,' and it was quickly banned across multiple Chinese online video platforms. But the story still traveled all over the world, carried in hundreds of international media reports.
If you're writing a song, you have to write something that can be understood serially. When you're reading a poem that's written for the page, your eye can skip up and down. You can see the thing whole. But you're not going to see the thing whole in the song. You're going to hear it in series, and you can't skip back.
I love playing with makeup. Makeup has become a thing where it's an art form. It's not a thing where you use it because you need to feel beautiful or because you don't like the way you look.
A thimbleful of red is redder than a bucketful.
If it's a good work of adaptation, the book should remain a book and the film should remain a film, and you should not necessarily read the book to see the film. If you do need that, then that means that it's a failure. That is what I think.
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