If the poetry world celebrate its female stars at the true level of their productivity and influence, poetry would wind up being a largely female world, and the men would leave.
Eileen MylesRead
I made myself into a poet because it was the first thing I really loved. It was an act of will.
Interpretation
This quote emphasizes the power of personal choice in pursuing one's passions.
Eileen Myles expresses that becoming a poet was a deliberate choice driven by a deep love for poetry. This highlights the importance of passion and the active will to shape one's identity and career based on what truly resonates with an individual.
In practice
In a graduation speech to inspire students to pursue their passions.
If the poetry world celebrate its female stars at the true level of their productivity and influence, poetry would wind up being a largely female world, and the men would leave.
The poet’s life is just so much crenellated waste, nights and days whipping swiftly or laboriously past the cinematic window. We’re hunched and weaving over the keys of our green our grey or pink blue manual typewriter maybe a darker stone cold thoritative selectric with its orgasmic expectant hum and us popping pills and laughing over what you or I just wrote, wondering if that line means insult or sex. Or both. Usually both.
The worst evil which can befall the artist is that his work should appear good in his own eyes.
Acting is all about relating to the people on stage with you, even in plays that break the fourth wall. Clowning, for the most part, is the opposite. If somebody in the audience sneezes, I can count on it: I don't even have to look at Shiner; he'll have his handkerchief out. It's all about all of us in the room together.
The true artist is not proud: he unfortunately sees that art has no limits; he feels darkly how far he is from the goal, and though he may be admired by others, he is sad not to have reached that point to which his better genius only appears as a distant, guiding sun.
Storytellers all, we humans might run out of time even as we triumph over the problem of running out of space. But we will never run out of stories.
A work of art may be understood as a conductor from the artist's mind to the viewer's. But it may never reach the viewer, or it may never leave the artist's mind.
And when they encounter works of art which show that using new media can lead to new experiences and to new consciousness, and expand our senses, our perception, our intelligence, our sensibility, then they will become interested in this music.
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