Favorite poems are like favorite children. We definitely have them but we never tell as the others would have their feelings hurt.
Nikki GiovanniRead
The poet can only write the poems; it takes the reader to complete the meaning.
Interpretation
The interpretation of poetry is a collaborative process between the poet and the reader.
This quote emphasizes the idea that poetry is not solely defined by the poet's words, but also by the reader's interpretation and emotional response. It suggests that while a poet may craft verses, the true essence and meaning of those words are completed through the reader's engagement and understanding, highlighting the interactive nature of literature.
In practice
During a literature class, the teacher could use this quote to spur a discussion on the role of the reader in interpreting texts.
Favorite poems are like favorite children. We definitely have them but we never tell as the others would have their feelings hurt.
I want to be clear about this. If you wrote from experience, you'd get maybe one book, maybe three poems. Writers write from empathy.
A lot of people resist transition and therefore never allow themselves to enjoy who they are. Embrace the change, no matter what it is; once you do, you can learn about the new world you're in and take advantage of it.
Art is not for the cultivated taste. It is to cultivate taste.
Style has a profound meaning to Black Americans. If we canβt drive, we will invent walks and the world will envy the dexterity of our feet. If we canβt have ham, we will boil chitterlings; if we are given rotten peaches, we will make cobblers; if given scraps, we will make quilts; take away our drums, and we will clap our hands. We prove the human spirit will prevail. We will take what we have to make what we need. We need confidence in our knowledge of who we are.
If you were a pure bolt of fire-cutting the skies I'd touch you-risking my life-not because I'm brave or strong, but because I'm fascinated by what the outcome would be.
Give me a story that just makes me unreasonably vigilant. Keep me up till five only because all your stars are out, and for no other reason.
There are books so alive that you're always afraid that while you weren't reading, the book has gone and changed, has shifted like a river; while you went on living, it went on living too, and like a river moved on and moved away. No one has stepped twice into the same river. But did anyone ever step twice into the same book?
Most American writers don't get asked their opinion on current affairs, whereas in Europe and England, we still do. There are writers here who are the most sophisticated commentators, but they're not asked. Like Don DeLillo, who sort of forecast most of the modern world before it happened.
I've been writing long enough to know that fiction, as a rhetorical mode, works very differently from expository writing. If an author has a specific critique about contemporary society in mind, fiction tends not to be the best means to deliver that critique.
She doesn't do the things heroines are supposed to. Which is rather Jane Austen's point - Fanny is her subversive heroine. She is gentle and self-doubting and utterly feminine; and given the right circumstances, she would defy an army.
To say that such-and-such a circumstance is 'Kafkaesque' is to admit to the denigration of an imagination that has burned a hole in what we take to be modernism - even in what we take to be the ordinary fabric and intent of language. Nothing is like 'The Hunger Artist.' Nothing is like 'The Metamorphosis.'
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