In apartments and cottages, on the street and in the train... I listen... More and more, I turn into one large ear, always turning to another person.
Svetlana AlexievichRead
From the point of view of art, the butcher and the victim are equal as people. You need to see the people.
Interpretation
The quote emphasizes that in art, both the perpetrator and the victim hold equal significance and humanity.
Svetlana Alexievich's quote highlights the notion that art transcends the roles of individuals in a narrative, urging the viewer or reader to recognize the shared humanity of all parties involved, regardless of their moral standing. It calls attention to the importance of seeing beyond the labels of 'butcher' and 'victim' to understand the deeper human experiences that connect us.
In practice
This quote can be used in a discussion about the roles of characters in artistic storytelling.
In apartments and cottages, on the street and in the train... I listen... More and more, I turn into one large ear, always turning to another person.
The subjects I wanted to write about - the mystery of the human soul, evil - didn't interest newspapers, and news reporting bored me.
'Women's' war has its own colors, its own smells, its own lighting, and its own range of feelings. There are no heroes and incredible feats; there are simply people who are busy doing inhumanly human things.
There is no need to give in to the compromise that totalitarian regimes always count on.
I've been searching for a genre that would be most adequate to my vision of the world to convey how my ear hears and my eyes see life. I tried this and that, and finally, I chose a genre where human voices speak for themselves. But I don't just record a dry history of events and facts; I'm writing a history of human feelings.
Nothing, not even human life, is more precious to us than our myths about ourselves.
Works of art cannot save us. They can simply render us more sensitive to what needs to be repaired.
If you write fiction, you have to love your characters. It's like your family. You don't have to like them, but you have to love them.
I consider it useless and tedious to represent what exists, because nothing that exists satisfies me. Nature is ugly, and I prefer the monsters of my fancy to what is positively trivial.
There are days when I think the National Endowment for the Arts should issue a quota system for the production of plays by women - especially when you realize women buy 70 percent of all theater tickets.
That which is not slightly distorted lacks sensible appeal; from which it follows that irregularity β that is to say, the unexpected, surprise and astonishment, are a essential part and characteristic of beauty.
Always be a poet, even in prose.
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