Me, Polly Garter, under the washing line, giving the breast in the garden to my bonny new baby. Nothing grows in our garden, only washing. And babies. And where's their fathers live, my love? Over the hills and far away. You're looking up at me now. I know what you're thinking, you poor little milky creature. You're thinking, you're no better than you should be, Polly, and that's good enough for me. Oh, isn't life a terrible thing, thank God?
Interpretation
This quote reflects on the simplicity and challenges of life, highlighting the contrasting elements of motherhood and existential contemplation.
In this evocative quote, Dylan Thomas captures a moment of maternal nurturing amidst the mundanity of daily life, symbolized by the washing line and the garden that yields only domestic responsibilities. The speaker addresses the complexity of existence, recognizing both the beauty and sorrow intertwined within the experience of raising a child, while pondering the absence of fathers and the inherent struggles of life. It suggests an acceptance of life's imperfections and a sense of gratitude for its simple joys.
In practice
In a speech about the joys and struggles of parenting, one might use this quote to illustrate the complex emotions that come with raising children.
And death shall have no dominion. Under the windings of the sea They lying long shall not die windily; Twisting on racks when sinews give way, Strapped to a wheel, yet they shall not break; Faith in their hands shall snap in two, And the unicorn evils run them through; Split all ends up they shan't crack; And death shall have no dominion.
Whatever talents I possess may suddenly diminish or suddenly increase. I can with ease become an ordinary fool. I may be one now. But it doesn't do to upset one's own vanity.
And when the firemen turned off the hose and were standing in the wet, smoky room, Jim's Aunt, Miss. Prothero, came downstairs and peered in at them. Jim and I waited, very quietly, to hear what she would say to them. She said the right thing, always. She looked at the three tall firemen in their shining helmets, standing among the smoke and cinders and dissolving snowballs, and she said, "Would you like anything to read?
Especially when the October wind With frosty fingers punishes my hair, Caught by the crabbing sun I walk on fire And cast a shadow crab upon the land, By the sea's side, hearing the noise of birds, Hearing the raven cough in winter sticks, My busy heart who shudders as she talks Sheds the syllabic blood and drains her words.
My tears are like the quiet drift of petals from some magic rose; and all my grief flows from the rift of unremembered skies and snows. I think that if I touched the earth, it would crumble; it is so sad and beautiful, so tremulously like a dream.
When one burns one's bridges, what a very nice fire it makes.
Life and death matters, yes. And the question of how to behave in this world, how to go in the face of everything. Time is short and the water is rising.
The Irishman sustains himself during brief periods of joy by the knowledge that tragedy is just around the corner.
In all cultures, the midwife's place is on the threshold of life, where intense human emotions, fear, hope, longing, triumph, and incredible physical power-enable a new human being to emerge. Her vocation is unique.
Wouldn't it be terrible if you'd spent all your life doing everything you were supposed to do, didn't drink, didn't smoke, didn't eat things, took lots of exercise, all the things you didn't want to do, and suddenly one day you were run over by a big red bus, and as the wheels were crunching into you you'd say 'Oh my god, I could have got so drunk last night!' That's the way you should live your life, as if tomorrow you'll be run over by a big red bus.
I would there were no age between sixteen and three-and-twenty, or that youth would sleep out the rest; for there is nothing in the between but getting wenches with child, wronging the ancientry, stealing, fighting
For in grief nothing "stays put." One keeps on emerging from a phase, but it always recurs. Round and round. Everything repeats. Am I going in circles, or dare I hope I am on a spiral? But if a spiral, am I going up or down it? How often -- will it be for always? -- how often will the vast emptiness astonish me like a complete novelty and make me say, "I never realized my loss till this moment"? The same leg is cut off time after time.
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