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pools of blood are not recreational even lifeguards drown when the undertow breaks bread with the underbelly demons disguised as sharks have not put enough thought into their costumes a wiseman stays ashore when pointed fins read like italian subtitles the end is near (...) the beginning
Saul Williams
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Interpretation

What this quote means

This quote reflects on the dangers and harsh realities of life, emphasizing the importance of wisdom and caution in navigating through it.

Saul Williams' quote presents a vivid and surreal imagery of life’s dangers, drawing parallels between a treacherous ocean and the struggles individuals face. It suggests that even those trained to save others can succumb to the perils lurking beneath the surface, urging us to recognize when to stay away from danger and to rely on our wisdom and insights to navigate life's challenges. The mention of demons and sharks symbolizes the hidden threats in our environment, while the idea of the end and beginning encapsulates the cyclical nature of life, urging us to be aware and prepared for the transitions we encounter.

Themes

LifeWisdomDangerCautionStrugglePerception

In practice

Example use cases

Using this quote in a speech about resilience and facing life's challenges.

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i laced my shoes with sorrow and walked a weary road dead end streets don't come undone with double knots wing tipped shoes that walk on air through vacant lots
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Have you ever lost yourself in a kiss? I mean pure psychedelic inebriation. Not just lustful petting but transcendental metamorphosis when you became aware that the greatness of this being was breathing into you. Licking the sides and corners of your mouth, like sealing a thousand fleshy envelopes filled with the essence of your passionate being and then opened by the same mouth and delivered back to you, over and over again - the first kiss of the rest of your life.
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We are unraveling our navels so that we may ingest the sun. We are not afraid of the darkness. We trust that the moon shall guide us. We are determining the future at this very moment. We know that the heart is the philosopher's stone. Our music is our alchemy.
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Why shouldn't rap be esoteric, able to take in current events, history and criticism? I guess it's this old idea of containment - that rappers, because they're black, can't and shouldn't aspire to look outside the ghetto for influence.
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A lie preserved in stained glass doesn't make it more true.
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A little wisdom, now and then

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