Fundamentally, I think of myself as a storyteller, not a writer.
Tom ClancyRead
I do not over-intellectualize the production process. I try to keep it simple: Tell the damned story.
Interpretation
The quote emphasizes the importance of simplicity in storytelling over complicated analysis.
Tom Clancy's quote speaks to the core essence of storytelling—focusing on conveying the narrative without getting lost in overthinking. By advocating for simplicity, he suggests that the story itself should take precedence, allowing the audience to connect with the emotional and thematic elements without unnecessary obfuscation.
In practice
A writer may use this quote during a seminar to encourage new authors to embrace simplicity in their works.
Fundamentally, I think of myself as a storyteller, not a writer.
Two questions form the foundation of all novels: "What if?" and "What next?" (A third question, "What now?", is one the author asks himself every 10 minutes or so; but it's more a cry than a question.) Every novel begins with the speculative question, What if "X" happened? That's how you start.
Of all human lamentations, without doubt, the most common is if only I had known. But we can't know, and so days of death and fire so often begin no differently than those of love and warmth.
The only real difference between a wise man and a fool, Moore knew, was that the wise man tended to make more serious mistakes—and only because no one trusted a fool with really crucial decisions; only the wise had the opportunity to lose battles, or nations.
One thing about flying that he never got used to was that no matter how awful the weather was on the ground, if you flew high enough you could always find the sun.
Nothing is as real as a dream. The world can change around you, but your dream will not. Your life may change, but your dream doesn't have to. Responsibilities need not erase it. Duties need not obscure it.
What I want, when I write a poem, is no more than this: that it be preserved in some published form so that, in principle, someone, somewhere, will be able to find it and read it. That is all I need, as a poet, and that is the beauty, the luxury of my position. My lyric is mine and remains mine. Nobody can ruin it.
As to the number of novels I've abandoned... I shudder to think. I have thrown away five completed novels, and that's a gruesome enough figure. But not necessarily a waste of effort.
If the poetry world celebrate its female stars at the true level of their productivity and influence, poetry would wind up being a largely female world, and the men would leave.
The purpose of writing is both to keep up with life and to run ahead of it. I am little comfort to myself, although I am the only comfort I have, excepting perhaps streets, clouds, the sun, the faces and voices of kids and the aged, and similar accidents of beauty, innocence, truth and loneliness.
I always thought I'd eventually learn how to draw really well, and despite constant evidence to the contrary, I just kept on trying. If you're too good at anything, you don't have to think about the process, whereas I feel like I spend my life with my head under the bonnet, trying to understand how everything works.
My music is mostly for the music. And it gives the liberty to do anything which I want. And nobody limits me to one genre of music. But I learn from life and I try to give back to life, in a way, whether it's the thought of the song or whether it's the approach to the arrangement or anything.
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