The private control of credit is the modern form of slavery.
Upton SinclairRead
I aimed at the public's heart, and by accident I hit it in the stomach.
Interpretation
Art can have a profound impact, often in unexpected ways.
This quote by Upton Sinclair emphasizes the unpredictability of art's influence on society. He suggests that while he intended to reach the emotional core of the public with his work, it instead struck a visceral and perhaps uncomfortable response, highlighting the power of art to evoke strong reactions and its ability to challenge audiences in unforeseen manners.
In practice
A speaker at an art exhibit could use the quote to discuss the emotional depth of the pieces on display.
The private control of credit is the modern form of slavery.
Human beings suffer agonies, and their sad fates become legends; poets write verses about them and playwrights compose dramas, and the remembrance of past grief becomes a source of present pleasure - such is the strange alchemy of the spirit.
And as for other men, who worked in tank-rooms full of steam, and in some of which there were open vats near the level of the floor, their peculiar trouble was that they fell into the vats; and when they were fished out, there was never enough of them left to be worth exhibiting,-sometimes they would be overlooked for days, till all but the bones of them had gone out into the world as Durham's Pure Leaf Lard! This contributed to the passing of the Pure Food Act of 1906.
Fascism is capitalism plus murder.
The old wanderlust had gotten into his blood, the joy of the unbound life, the joy of seeking, of hoping without limit.
One of the necessary accompaniments of capitalism in a democracy is political corruption.
We do not go to the theatre like our ancestors, to escape from the pressure of reality, so much as to confirm our experience of it.
I love to see actors' work. I love to surf channels late at night and accidentally run into movies I hadn't seen before. It makes me very proud of the profession.
The poet's eye, in a fine frenzy rolling, doth glance from heaven to Earth, from Earth to heaven; and as imagination bodies forth the forms of things unknown, the poet's pen turns them to shape, and gives to airy nothing a local habitation and a name; such tricks hath strong imagination.
I often feel like a nutty professor, like I'm going to try this experiment and see if it works. My hypothesis is, people in the West can absorb African women stories without any shaken or stirred mixer. It can come directly from the source.
You've got to sell your heart, your strongest reactions, not the little minor things that only touch you lightly, the little experiences that you might tell at dinner. This is especially true when you begin to write, when you have not yet developed the tricks of interesting people on paper, when you have none of the technique which it takes time to learn. When, in short, you have only your emotions to sell.
I do a lot of curiosity buying; I buy it if I like the album cover, I buy it if I like the name of the band, anything that sparks my imagination.
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