You're headed for disaster cos you never read the signs Too much love will kill you every time
Freddie MercuryRead
You know, I designed the Queen crest. I simply combined all the creatures that represent our star signs-and I don't even believe in astrology.
Interpretation
Freddie Mercury creatively merged symbols of astrology into a unique design for the Queen crest, despite not believing in astrology.
In this quote, Freddie Mercury reflects on his artistic process in designing the Queen crest, revealing that he integrated elements from astrology, specifically the animals associated with the band members' star signs. This highlights how creativity can transcend personal beliefs, allowing for inspiration from various sources, even those one may not personally subscribe to.
In practice
In a presentation about artistic influences and designs.
You're headed for disaster cos you never read the signs Too much love will kill you every time
I have fun with my clothes onstage; it's not a concert you're seeing, it's a fashion show.
I'm so powerful in stage that I seem to have created a monster. When I'm performing I'm an extrovert, yet inside I'm a completely different man.
I'm just a musical prostitute, my dear.
People are always asking me what my lyrics mean. Does it mean this, does it mean that, that's all anybody wants to know. F**k them, darling. I say what any decent poet would say if you dared ask him to analyze his work: If you see it, dear, then it's there. ... I think my melodies are superior to my lyrics. ... I was never too keen on the British music press. They've called us a supermarket hype, and they used to suggest that we didn't write our own songs.
We're a very expensive group; we break a lot of rules. It's unheard of to combine opera with a rock theme, my dear .
MORE CONSISTENTLY THAN EVER I WAS TRYING TO MAKE PEOPLE BELIEVE THAT CINEMA AS AN INSTRUMENT OF ART HAS ITS OWN POSSIBILITIES WHICH ARE EQUAL TO THOSE OF PROSE. I WANTED TO DEMONSTRATE HOW CINEMA IS ABLE TO OBSERVE LIFE, WITHOUT INTERFERING, CRUDELY OR OBVIOUSLY, WITH ITS CONTINUITY. FOR THAT IS WHERE I SEE THE POETIC ESSENCE OF CINEMA.
As an artist, you make music. And if you see people who don't know how to market your music, you get involved in it. Otherwise, what you want to accomplish 'gets lost in translation' - no pun intended.
It is perhaps both a blessing and a curse that fictional worlds spring into my mind nearly fully formed and it takes quite a while to sift through everything to find the story.
When your story is ready for rewrite, cut it to the bone. Get rid of every ounce of excess fat. This is going to hurt; revising a story down to the bare essentials is always a little like murdering children, but it must be done.
The pleasure of writing fiction is that you are always spotting some new approach, an alternative way of telling a story and manipulating characters; the novel is such a wonderfully flexible form.
With vocal and choral music, first and foremost, it's the text. Not only do I need to serve the text, but the text - when I'm doing it right - acts as the perfect 'blueprint', and all the architecture is there. The poet has done the heavy lifting, so my job is to find the soul of the poem and then somehow translate that into music.
Subscribe for the occasional hand-picked quote. No noise.