I saw Quentin Tarantino's 'Django Unchained,' and you could say a lot of things against it, but it was incredible fun. I don't like blood and gore and I am very squeamish about violence, but Tarantino's violence is actually funny.
Interpretation
Salman Rushdie admires Tarantino's unique use of violence in 'Django Unchained', finding it entertaining despite his personal aversion to gore.
In this quote, Salman Rushdie reflects on the intricate blending of humor and violence in Quentin Tarantino's film 'Django Unchained'. He points out that although he typically finds blood and gore off-putting, he acknowledges that Tarantino's portrayal of violence is crafted in a way that elicits laughter and enjoyment, demonstrating the filmmaker's ability to challenge traditional representations of violence in cinema.
In practice
In a film discussion, one might quote Rushdie to explore the juxtaposition of humor and violence.
I've been fascinated by Machiavelli since I was very young. I've always felt that he had a bad rap from history, and that he was actually a person quite unlike what we now think of as Machiavellian. He was a republican. He disliked totalitarian government.
Killing people because you don't like their ideas - it's a bad thing.
faith without doubt is addiction
I am clearly vulnerable to these more passionate and volatile unstable relationships. I am trying to not be so vulnerable.
In India, as elsewhere in our darkening world, religion is the poison in the blood. Where religion intervenes, mere innocence is no excuse. Yet we go on skating around this issue, speaking of religion in the fashionable language of 'respect.' What is there to respect in any of this, or in any of the crimes now being committed almost daily around the world in religion's dreaded name?
Reality is a question of perspective; the further you get from the past, the more concrete and plausible it seems - but as you approach the present, it inevitably seems more and more incredible.
Boredom is not an end-product, is comparatively rather an early stage in life and art. You've got to go by or past or through boredom, as through a filter, before the clear product emerges.
You know, sound was still a fairly new thing when I came into movies. And the reason musicals happened is because of sound. They could put music in the picture! That's how it all began.
From the reader's view, a poem is more demanding than prose.
Music kept me off the streets and out of trouble and gave me something that was mine that no one could take away from me.
I dedicate this novel to Gala, who was constantly by my side while I was writing it, who was the good fairy of my equilibrium, who banished the salamanders of my doubts and strengthened the lions of certainties.
The idea of old was to conform yourself to a style of cooking, it was not to create a style of cooking. Now the chef is so much into 'I want to sign that dish and say I am the one who made that dish.'
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