Sadness is more or less like a head cold - with patience, it passes. Depression is like cancer.
Barbara KingsolverRead
I know I'm a rare person, a trained scientist who writes fiction, because so few contemporary novelists engage with science.
Interpretation
Barbara Kingsolver expresses her uniqueness as a writer who merges the fields of science and fiction.
In this quote, Barbara Kingsolver highlights her uncommon position as a trained scientist who also writes novels. She points out that few contemporary authors actively incorporate scientific concepts into their storytelling, suggesting that her dual expertise allows her to offer a distinctive perspective that blends the analytical nature of science with the creativity of fiction.
In practice
In a discussion about the relationship between literature and science, Kingsolver's quote can emphasize the importance of interdisciplinary approaches.
Sadness is more or less like a head cold - with patience, it passes. Depression is like cancer.
Children can be your heartache. But that doesn't matter, you have to go on and have them . . . it works out.
I'm of a fearsome mind to throw my arms around every living librarian who crosses my path, on behalf of the souls they never knew they saved.
I did it to win love, and to prove myself capable. Not to move mountains. In my opinions, mountains don't move. They only look changed when you look down on them from great height.
Memory is a complicated thing, a relative to truth, but not its twin.
Empathy is really the opposite of spiritual meanness. It's the capacity to understand that every war is both won and lost. And that someone else's pain is as meaningful as your own.
Literature overtakes history, for literature gives you more than one life. It expands experience and opens new opportunities to readers.
In relation to a writer, most readers believe in the Double Standard: they may be unfaithful to him as often as they like, but he must never, never be unfaithful to them.
Writing prejudicial, off-putting reviews is a precise exercise in applied black magic. The reviewer can draw free-floating disagreeable associations to a book by implying that the book is completely unimportant without saying exactly why, and carefully avoiding any clear images that could capture the reader's full attention.
In Algeria, I had begun to get into literature and philosophy. I dreamed of writing-and already models were instructing the dream, a certain language governed it.
Even though I read voraciously as a child, I never saw myself in books. Without narratives to expand my ideas of who I could be, I accepted the stories others told me about myself, stories which diminished and belittled me and people like me. I want to write against that.
Nobody knows that in reading we are re-living our temptations to be a poet. All readers who have a certain passion for reading, nurture and repress, through reading, the desire to become a writer.
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