If you feel dirty, insignificant or unloved, then rats are a good role model. They exist without permission, they have no respect for the hierarchy of society, and they have sex 50 times a day.
BanksyRead
On Painting Rats, and the Glorification of Them. They exist without permission. They are hated, hunted and persecuted. They live in quiet desperation amongst the filth. And yet they are capable of bringing entire civilizations to their knees. If you are dirty, insignificant, and unloved then rats are the ultimate role model.
Interpretation
Rats illustrate resilience and the power of the underestimated in society.
This quote by Banksy highlights the overlooked strength of rats, which endure harsh conditions and societal disdain yet possess the ability to challenge and disrupt civilizations. It serves as a metaphor for marginalized individuals who, despite their perceived insignificance, can inspire resilience and provoke change.
In practice
During a speech about urban resilience, one could reference the hardships rats face and how they continue to thrive.
If you feel dirty, insignificant or unloved, then rats are a good role model. They exist without permission, they have no respect for the hierarchy of society, and they have sex 50 times a day.
T.V. has made going to the theatre seem pointless, photography has pretty much killed painting but graffiti has remained gloriously unspoilt by progress.
I originally set out to try and save the world, but now I'm not sure I like it enough.
Graffiti ultimately wins out over proper art because it becomes part of your city, it' s a tool; "I'll meet you in that pub, you know, the one opposite that wall with a picture of a monkey holding a chainsaw". I mean, how much more useful can a painting be than that?
Think outside the box, collapse the box, and take a f**king sharp knife to it.
Gaza is often described as 'the world's largest open air prison' because no-one is allowed to enter or leave. But that seems a bit unfair to prisons - they don’t have their electricity and drinking water cut off randomly almost every day.
If the world were clear, art would not exist.
I've spent so much of my life examining the smallest details. In some ways, it's where I feel most at home. For me, it's super-important to understand all of the different nuances of light and shade. But if you can't paint in primary colours, no one's going to listen to your songs, because they need to feel like something.
Monet's garden must be included with his works, because he combined the magic of an adaptation of nature with the work of a painter of light. An extension of the studio into the openair, with color tones lavishly spread out on all sides to exercise the eye with seductive vibrations, from which a feverishly aroused retina expects unquenchable joy.
At every concert I leave a lot to the moment. I must have the unexpected, the unforeseen. I want to risk, to dare. I want to be surprised by what comes out. I want to enjoy it more than the audience. That way the music can bloom anew. It's like making love. The act is always the same, but each time it's different.
A good poem looks life straight in the face, unflinching, sincere, equal to revelation through loss or gain.
But now, with the last two years of touring and being on the road, I've learned that a live show should never sound like a record; a record should sound like a live show.
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