The job of the writer is to take a close and uncomfortable look at the world they inhabit, the world we all inhabit, and the job of the novel is to make the corpse stink.
Walter MosleyRead
Readers no longer need novelists to tell us what it's like to cross the world on a ship or fight a war. In the twenty-first century, we get that information in other ways. The thing that's still a mystery to us is the human heart. What we want is to understand people, what they're doing, and why they're doing it.
Interpretation
Understanding human emotions and motivations is more important than the factual details of experiences.
Walter Mosley emphasizes that while we have access to abundant information through modern means about events and experiences, the true enigma lies in comprehending the human heart. This highlights a fundamental need for empathy and insight into people's feelings and motivations, which cannot be captured merely through factual accounts.
In practice
In a speech about the importance of emotional intelligence, one might say, 'As Walter Mosley once pointed out, the human heart remains a mystery we must seek to understand.'
The job of the writer is to take a close and uncomfortable look at the world they inhabit, the world we all inhabit, and the job of the novel is to make the corpse stink.
At one time if you were a black writer you had to be one of the best writers in the world to be published. You had to be great. Now you can be good. Mediocre. And that's good.
My father cared about the world he lived in, and so he admitted his confusion about his place in America because he didn't want me to make the same mistake in my life.
Many & most moments go by with us hardly aware of their passage. But love & hate & fear cause time to snag you, to drag you down like a spider's web holding fast to a doomed fly's wings. And when you're caught like that you're aware of every moment & movement & nuance.
We are not trapped or locked up in these bones. No, no. We are free to change. And love changes us. And if we can love one another, we can break open the sky.
All writing is that structure of revelation. There's something you want to find out. If you know everything up front in the beginning, you really don't need to read further if there's nothing else to find out.
I've never been convinced that experience is linear, circular, or even random. It just is. I try to put it in some kind of order to extract meaning from it, to bring meaning to it.
Example, whether it be good or bad, has a powerful influence.
Live as if you were living a second time, and as though you had acted wrongly the first time.
A mind that is always comparing, always measuring, will always engender illusion. If I am measuring myself against you, who are clever, more intelligent, I am struggling to be like you and I am denying myself as I am. I am creating an illusion.
The idea hovered and shimmered delicately, like a soap bubble, and she dared not even look at it directly in case it burst. But she was familiar with the way of ideas, and she let it shimmer, looking away, thinking about something else.
...operational proof...it's all theory until you see for yourself whether or not something works.
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