Never be bullied into silence. Never allow yourself to be made a victim. Accept no one's definition of your life; define yourself.
Harvey FiersteinRead
You really, really, really have to love what you are going to do in theater because it is an unmerciful life. It's six days a week. It's eight performances a week. And that's doing the exact same thing over and over and over again.
Interpretation
Passion is essential for a successful career in theater due to its demanding nature.
Harvey Fierstein emphasizes the importance of having a deep love for theater, as the profession is exceptionally demanding. With performances almost every day and the repetitive nature of the work, only true passion can sustain someone through the challenges that come with a career in this field.
In practice
In a speech at a theater opening, one could emphasize the importance of passion with this quote.
Never be bullied into silence. Never allow yourself to be made a victim. Accept no one's definition of your life; define yourself.
Accept no one's definition of your life; define yourself.
CBS really wants me on TV. That's their aim. My aim is to have an all-gay sitcom someday, with heterosexuals as token guest stars. Let them be the next-door neighbors for a change.
Theater is my temple and my religion and my act of faith. Strangers sit in a room together and believe together.
Theater has to resonate in your heart in a way that movies don't.
I really am a theater person. That means you put something out there, and you let it go. Tomorrow night is a new performance.
Dance music ... stirs some barbaric instinct - lulled asleep in our sober lives - you forget centuries of civilization in a second, & yield to that strange passion which sends you madly whirling round the room.
Most of the time - in 'Pan's Labyrinth' or 'Devil's Backbone' - I'm talking about my childhood.
I think architecture becomes interesting when it has a double character, that is, when it is as simple as possible but, at the same time as complex as possible
From the very early stage when I started doing performance art in the '70s, the general attitude - not just me, but also my colleagues - was that there should not be any documentation, that the performance itself is artwork and there should be no documentation.
And I taught acting for years, and without knowing it that was the real thing that started bending me toward directing.
Music is the tonal reflection of beauty.
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