I think what gets a poem going is an initiating line. Sometimes a first line will occur, and it goes nowhere; but other times - and this, I think, is a sense you develop - I can tell that the line wants to continue.
Billy CollinsRead
And the reason I am writing this on the back of a manila envelope now that they have left the train together is to tell you that when she turned to lift the large, delicate cello onto the overhead rack, I saw him looking up at her and what she was doing the way the eyes of saints are painted when they are looking up at God when he is doing something remarkable, something that identifies him as God.
Interpretation
The quote captures a moment of beauty and admiration between two people, highlighting the significance of ordinary actions.
In this quote, Billy Collins uses the imagery of a delicate cello and a man's reverent gaze to depict a profound moment of appreciation and love. The comparison to saints gazing at God suggests that even in mundane tasks, such as lifting an instrument onto a train rack, there can be a sacred beauty that elevates the experience, reminding us of the extraordinary in everyday life.
In practice
During a heartfelt speech about love at a wedding.
I think what gets a poem going is an initiating line. Sometimes a first line will occur, and it goes nowhere; but other times - and this, I think, is a sense you develop - I can tell that the line wants to continue.
People think of poetry as a school subject... Poetry is very frustrating to students because they don't have a taste for ambiguity, for one thing. That gives them a poetry hangover.
To a poet, it's quite ruinous to have a poem distorted, out of shape, or squeezed, shall we say, into this tiny screen. But I'm not sure big digital companies are sensitive to the needs of poets.
All they want to do is tie the poem to a chair with a rope and torture a confession out of it. They begin beating it with a hose to find out what it really means.
The whole world of publishing is moving to electronic, but when you put a poem on a screen and you increase the type size, the shape of a poem changes.
If you write a letter of resignation or something with an agenda, you're simply using a pen to record what you have thought out. In a poem, the pen is more like a flashlight, a Geiger counter, or one of those metal detectors that people walk around beaches with.
You don't make a film because the audience is ready for it. You make a film because you have questions that are in your gut.
The only writers who have any peace are the ones who don't write. And there are some like that. They wallow in a sea of possibilities. To express a thought, you first have to limit it, and that means kill it. Every word I speak robs me of a thousand others, and every line I write means giving up another.
The meaning of quality in photography's best pictures lies written in the language of vision. That language is learned by chance, not system.
The artist must forget the audience, _x000D_ forget the critics, forget the technique, forget everything but love for the music._x000D_ Then, the music speaks through the performance,_x000D_ and the performer and the listener will walk together_x000D_ with the soul of the composer, and with_x000D_ God.
There are writers in Germany who drink the Absolute like water; and there are books in which even the dogs make references to the Infinite.
Everything is raw material. Everything is relevant. Everything is usable. Everything feeds into my creativity. But without proper preparation, I cannot see it, retain it, and use it.
Subscribe for the occasional hand-picked quote. No noise.