We should attempt to bring nature, houses, and human beings together in a higher unity.
Ludwig Mies Van Der RoheRead
Reinforced concrete buildings are by nature skeletal buildings. No noodles nor armoured turrets. A construction of girders that carry the weight, and walls that carry no weight. That is to say, buildings consisting of skin and bones.
Interpretation
This quote emphasizes the simplistic and essential nature of modern architecture, highlighting how form follows function.
Ludwig Mies Van Der Rohe's quote illustrates the philosophy of modern architecture, where buildings are designed to reveal their structural elements. By describing reinforced concrete buildings as 'skeletal,' he conveys the idea that the visible framework, or 'girders,' is what supports the structure, while the walls serve merely as a skin—emphasizing a blend of aesthetics and functionality that defines modernist design.
In practice
In an architecture lecture, discussing the principles of modernist design.
We should attempt to bring nature, houses, and human beings together in a higher unity.
Architecture depends on facts, but its real field of activity lies in the realm of the significance.
The demands of the time for objectivity and functionality must be fulfilled. If that clearly happens, then the buildings of our day will convey the greatness of which the age is capable, and only a fool will maintain that they lack it.
I think that an industrial process is not like a rubber stamp. Everything has to be put together and, as such, should have its own expression.
Modern buildings of our time are so huge that one must group them. Often the space between these buildings is as important as the buildings themselves.
It is not architectural achievement that makes the structures of earlier times seem to us so full of significance but the circumstance that antique temples, Roman basilicas, and even the cathedrals of the Middle Ages are not the works of single personalities but creations of entire epochs.
Because every book of art, be it a poem or a cupola, is understandably a self-portrait of its author, we won't strain ourselves too hard trying to distinguish between the author's persona and the poem's lyrical hero. As a rule, such distinctions are quite meaningless, if only because a lyrical hero is invariably an author's self-projection.
We don't need to illustrate music; music illustrates itself.
There is no reason why a serious film, one about life, can't be enjoyable, maybe even fun. Emotions can be very entertaining, you know. I try to use them generously in my films.
The oldest, truest, most beautiful organ of music, the origin to which alone our music owes its being, is the human voice.
The artist and the photographer seek the mysteries and the adventure of experience in nature.
If the poetry world celebrate its female stars at the true level of their productivity and influence, poetry would wind up being a largely female world, and the men would leave.
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