We all fear loneliness, madness, dying. Shakespeare and Walt Whitman, Leopardi and Hart Crane will not cure those fears. And yet these poets bring us fire and light.
Harold BloomRead
We can be reluctant to recognize how much of our culture was literary, particularly now that so many of the institutional purveyors of literature happily have joined in proclaiming its death. A substantial number of Americans who believe they worship God actually worship three major literary characters: the Yahweh of the J Writer (earliest author of Genesis, Exodus, Numbers), the Jesus of the Gospel of Mark, and Allah of the Koran.
Interpretation
The quote emphasizes the importance of literature in shaping cultural and religious beliefs.
Harold Bloom argues that much of our culture is shaped by literary traditions, especially in the context of religion. He highlights how literary figures, such as the divine characters of Yahweh, Jesus, and Allah, are often revered by their followers, demonstrating the deep connection between literature and cultural identity, despite claims of literature's decline in modern society.
In practice
This quote can be shared during a lecture on the importance of literature in culture.
We all fear loneliness, madness, dying. Shakespeare and Walt Whitman, Leopardi and Hart Crane will not cure those fears. And yet these poets bring us fire and light.
I am naive enough to read incessantly because I cannot, on my own, get to know enough people profoundly enough.
Reading well is one of the greatest pleasures that solitude can afford you.
Socrates, in Plato, formulates ideas of order: the Iliad, like Shakespeare, knows that a violent disorder is a great order.
Reading the very best writers—let us say Homer, Dante, Shakespeare, Tolstoy—is not going to make us better citizens. Art is perfectly useless, according to the sublime Oscar Wilde, who was right about everything. He also told us that all bad poetry is sincere. Had I the power to do so, I would command that these words be engraved above every gate at every university, so that each student might ponder the splendor of the insight.
I have never believed that the critic is the rival of the poet, but I do believe that criticism is a genre of literature or it does not exist.
In novels, and American novels in particular, it's not just about redemption, it's about forward movement and healing oneself. Americans are very big on getting better.
I'll read anything Anne Carson writes, anything J. M. Coetzee writes, and anything Cormac McCarthy writes. I'll drop whatever I'm doing to read a new Mary Ruefle essay.
I suppose you could say my father's world was Thomas Hardy and my mother's D.H. Lawrence.
Writing prejudicial, off-putting reviews is a precise exercise in applied black magic. The reviewer can draw free-floating disagreeable associations to a book by implying that the book is completely unimportant without saying exactly why, and carefully avoiding any clear images that could capture the reader's full attention.
A lot of people have no idea that right now Y.A. (young adult). is the Garden of Eden of literature.
Is 'The Wind in the Willows' a children's book? Is 'Alice in Wonderland?' Is 'Treasure Island?' These are masterpieces which we read with pleasure as children, but with how much more pleasure when we are grown-up.
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