Personal relations are the important thing for ever and ever, and not this outer life of telegrams and anger.
E. M. ForsterRead
Reverence is fatal to literature.
Interpretation
Reverence for literature stifles creativity and originality.
This quote by E. M. Forster suggests that holding literature in too high a regard can impede the creative process. When writers or readers approach literature with excessive reverence, they may become constrained by its traditions and expectations, rather than exploring new ideas and forms that can lead to genuine artistic expression.
In practice
In a literary discussion about the boundaries of creativity, this quote can be used to emphasize the importance of innovation over tradition.
Personal relations are the important thing for ever and ever, and not this outer life of telegrams and anger.
A poem is true if it hangs together. Information points to something else. A poem points to nothing but itself.
One must be fond of people and trust them if one is not to make a mess of life.
Oxford is Oxford: not a mere receptacle for youth, like Cambridge. Perhaps it wants its inmates to love it rather than to love one another.
The fact is we can only love what we know personally. And we cannot know much. In public affairs, in the rebuilding of civilization, something less dramatic and emotional is needed, namely tolerance.
One person with passion is better than forty people merely interested.
Music is storming, driving, relentless, devotional, slinky, subtle, heartbreakingly-beautiful sounds that, lyrically, switch from the cynical to the sanguine, the defeated to the defiant, dealing in love, war, beauty, children, romance, rejection, Pethedine, poetry, panties, God, Auden, Johnny Cash, cold potatoes, too-much-money, not enough money, writerβs block, flowers, animals and more flowers. But maybe Iβm projecting here.
I have wanted . . . to commit a murder myself. I recognized this as the desire of the artist to express himself! . . . But-incongruous as it may seem to some-I was restrained and hampered by my innate sense of justice. The innocent must not suffer.
It is not theatre that is indispensable, but something quite different. To cross the frontiers between you and me.
If I should ever die, God forbid, let this be my epitaph: THE ONLY PROOF HE NEEDED FOR THE EXISTENCE OF GOD WAS MUSIC
The ostensible subject of my photographs may be motion, but the subtext is time. A dancer's movements illustrate the passage of time, giving it a substance, materiality, and space. In my photographs, time is stopped, a split second becomes an eternity, and an ephemeral moment is solid as sculpture.
With 'Taxi Driver,' I had this eureka moment. I realized that acting could be much more than what I had been doing. I had to build a character that wasn't me.
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