Revision has its own peculiar pleasures and its own peculiar frustrations. The ground rules are already established; the characters already exist. You don't have to bring the characters to life, but you do have to make them more convincing.
Interpretation
Revision in writing allows for refinement but comes with its own challenges. It involves enhancing existing characters and narrative rather than creating anew.
Vikram Seth's quote highlights the unique experience of revising written work, where writers engage with established characters and plots. The process is filled with both joys and challenges; while the foundation is already laid, the task of making the characters more convincing requires creativity and skill. This underscores the complexity of the writing process, where revision is not merely about editing but also about deepening the work's authenticity and emotional impact.
In practice
In a workshop on creative writing, use this quote to encourage students to embrace the revision process.
I am careful about fiction. A novel is not a tract or an essay. If I want to write about land reforms, or Hindu-Muslim relations, or position of women, I can do it as it affects my characters as in 'A Suitable Boy.' I could only write about issues specifically through essays. But I'll do that only if I have something worthwhile to say.
So many Indian novels, quite unfairly, do not get the prominence they should because they have been written in a language other than English.
Music, such music, is a sufficient gift. Why ask for happiness; why hope not to grieve? It is enough, it is to be blessed enough, to live from day to day and to hear such music-not too much, or the soul could not sustain it-from time to time.
But I too hate long books: the better, the worse. If they're bad they merely make me pant with the effort of holding them up for a few minutes. But if they're good, I turn into a social moron for days, refusing to go out of my room, scowling and growling at interruptions, ignoring weddings and funerals, and making enemies out of friends. I still bear the scars of Middlemarch.
I recall drinking sherry in California and dreaming of England, where I ate dalmoth and dreamed of Delhi. What is the purpose, I wonder, of all this restlessness? I sometimes seem to myself to wander around the world merely accumulating material for future nostalgias.
You have to learn a few things, which you do along the way, but basically, poetry is a matter of the ear. Iambic pentameters or what constitutes a stanza comes naturally - your ears will know.
Writing is an act of empathy. You are occupying and understanding a point of view that might be alien to your own--and work is often the keyhole through which you peer.
Perhaps the mission of an artist is to interpret beauty to people - the beauty within themselves.
I'm always aware of writing around things I can't do, and I've come to think that that's actually what 'style' is - an avoidance of your deficiencies.
My work is not about paint. It's about paint at the service of something else. It is not about gooey, chest-beating, macho '50s abstraction that allows paint to sit up on the surface as subject matter about paint.
When you are real in your music, people know it and they feel your authenticity.
If you focus your energy on the camera, it takes away from the time you have to focus on the performances.
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