Being called a conscious rapper is quite a compliment. It's a great thing to be. But as an artist, my nature is to not be in a box.
Talib KweliRead
My rhymes are like shot clocks,_x000D_ interstate cops_x000D_ and blood clots,_x000D_ my point is your flow gets stopped.
Interpretation
This quote compares the speaker's lyrical prowess to various obstacles that halt progress, emphasizing the impact of one's words.
In this quote, Talib Kweli uses vivid imagery to express how his rap verses create a powerful and immediate effect, akin to stopwatches and law enforcement actions that interrupt movement. He conveys that his lyrical flow has the ability to bring other rappers' abilities to a halt, suggesting a dominance in the art of rap that is both impactful and commanding.
In practice
In a motivational speech about creativity, you might say, 'My rhymes are like shot clocks, they stop your flow and make you think.'
Being called a conscious rapper is quite a compliment. It's a great thing to be. But as an artist, my nature is to not be in a box.
You know, I've learned a lot from every person I've collaborated with, from Madlib to Jean Grae and Hi-Tek, to Mos to DJ Quik, to even somebody like Jermaine Dupri. I've taken something important away from every experience.
I think hip-hop is no more misogynistic than America is as a society. I just think hip-hop is a lot more brash, a lot more bold, a lot more loquacious. There are a lot more words that go into a hip-hop song than go into a regular song.
If lyrics sold then truth be told/I'd probably be just as rich and famous as Jay-Z.
Life without knowledge is death in disguise.
My kids are the most inspiring thing that pushes me. It used to be because they were born, and I had to take care of them. Now it's because my son raps, and he's better than me. So now I gotta keep up with him, you know what I'm saying?
When I make a film I'm always in reality among the trees, and among the people like yourselves. There's no symbolic or conventional filter between me and reality as there is in literature. The cinema is an explosion of my love for reality.
Theatre is not supposed to represent psychology but passions, which is totally different. Its role is to represent the soul's different emotional states, and those of the mind, the world history.
I was born with music inside me. Music was one of my parts. Like my ribs, my kidneys, my liver, my heart. Like my blood. It was a force already within me when I arrived on the scene. It was a necessity for me-like food or water.
One of the most incredible and important things about the theater is that we're creating a safe space for all feelings, but especially, ugly feelings.
That’s one of the nice things about writing, or any art; if the thing’s real, it just lives. All the attendant hoopla about it, the success over it or the critical rejection—none of that really matters. In the end, the thing will survive or not on its own merits. Not that immortality via art is any big deal. Truffaut died, and we all felt awful about it, and there were the appropriate eulogies, and his wonderful films live on. But it’s not much help to Truffaut.
There's something arbitrary about taking a picture. So I can stand at the edge of a highway and take one step forward and it can be a natural landscape untouched by man and I can take one step back and include a guardrail and change the meaning of the picture radically... I can take a picture of a person at one moment and make them look contemplative and photograph them two seconds later and make them look frivolous.
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