The challenge for a nonfiction writer is to achieve a poetic precision using the documents of truth but somehow to make people and places spring to life as if the reader was in their presence.
Simon SchamaRead
It's not right to think about all of Jewish-German history as shrouded by the smoke of the crematorium.
Interpretation
Jewish-German history should not be solely defined by the Holocaust; there is more to it than tragedy.
Simon Schama emphasizes that the Jewish-German narrative is often overshadowed by the horrors of the Holocaust. While the tragedy of the crematorium is a significant event, it is crucial to recognize the rich cultural, intellectual, and social contributions of Jewish communities in Germany throughout history, as well as the complexity of their experiences beyond the dark chapters.
In practice
In a lecture on the importance of remembering diverse historical narratives.
The challenge for a nonfiction writer is to achieve a poetic precision using the documents of truth but somehow to make people and places spring to life as if the reader was in their presence.
In its Greek origins, historia meant inquiry, and from Thucydides onwards, the past has been studied to understand its connections with the present.
Jewish history turns out not to be an either/or story - as in, either pure Judaism detached from its surroundings or else assimilation - but rather, for the vast majority, the adventure of living in between.
I understood when I was quite small that there were two special things about the Jews. That we'd endured for over 3,000 years despite everything that had been thrown at us, and that we had an extraordinarily dramatic story to tell.
History is admirably dangerous. It is not the soft option. Teachers need to be grown up and brave. Sensitivity is fine, but it stops at the door of honest narrative.
History gives you insight of the same quality of truth as poetry or philosophy or a novel.
In the 1930s, the government paid writers to interview 80- and 90-year-old former slaves, and I read those accounts. I came away realizing - not surprisingly - that many slave masters were sadists who spent a lot of time thinking up creative ways of hurting people.
Apart from the intrinsic interest of the complex system of beliefs the Puritans carried with them, their lives give a clue to what it meant at the beginning to be American. And the level of scholarship dealing with them has reached a point where it can address the human condition itself.
For nearly a century and a half, this country deluded itself into thinking that its greatest calamity, the Civil War, had nothing to do with one of its greatest sins, enslavement. It deluded itself in this manner despite available evidence to the contrary.
The story of the African-American people is the story of the settlement and growth of America itself, a universal tale that all people should experience.
It was the slave's continuing desire for recognition that was the motor which propelled history forward, not the idle complacency and unchanging self-identity of the master
I wasn't trying to work out my own ancestry. I was trying to get people to feel slavery. I was trying to get across the kind of emotional and psychological stones that slavery threw at people.
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