Rock'n'roll is an attitude, it's not a musical form of a strict sort. It's way of doing things, of approaching things. Writing can be rock'n'roll, or a movie can be rock'n'roll. It's a way of living your life.
Interpretation
Rock'n'roll represents a mindset and lifestyle rather than just a music genre.
In this quote, Lester Bangs expresses that rock'n'roll transcends its traditional definition as a musical genre; instead, it embodies an attitude and an approach to life. By emphasizing that writing, filmmaking, and daily living can all encompass the spirit of rock'n'roll, Bangs invites us to understand it as a broader philosophy that champions creativity, authenticity, and a non-conformist approach to existence.
In practice
In a discussion about artistic expression, one might say, 'Remember, rock'n'roll is an attitude; it's all about how we approach creativity.'
Look at it this way: There are many here among us for whom the life force is best represented by the livid twitching of one tortured nerve, or even a full-scale anxiety attack. I do not subscribe to this point of view 100 percent, but I understand it, have lived it. Thus the shriek, the caterwaul, the chainsaw gnarlgnashing, the yowl and the whizz that decapitates may be reheard by the adventurous or emotionally damaged as mellifluous bursts of unarguable affirmation.
Don’t ask me why I obsessively look to rock ’n’ roll bands for some kind of model for a better society. I guess it’s just that I glimpsed something beautiful in a flashbulb moment once, and perhaps mistaking it for prophecy have been seeking its fulfillment ever since.
Style is originality; fashion is fascism. The two are eternally and unalterably opposed.
Tell me a story._x000D_ In this century, and moment, of mania,_x000D_ Tell me a story._x000D_ Make it a story of great distances, and starlight._x000D_ The name of the story will be Time,_x000D_ But you must not pronounce its name._x000D_ Tell me a story of deep delight.
You've only got 12 notes and however you mix them up is your thing.
Ballet became this escape for me. I feel like I was on my own a lot. I was searching for stability, so I was going off on my own and imagining what I thought stability was. Ballet became a way for me to cope.
And you who wish to represent by words the form of man and all the aspects of his membrification, relinquish that idea. For the more minutely you describe the more you will confine the mind of the reader, and the more you will keep him from the knowledge of the thing described. And so it is necessary to draw and to describe.
In order to describe a particular subculture, you might want to portray people who are typical or representative of that subculture; but to dramatize it, to make it an interesting setting for a story, you want to bring someone anomalous into that setting, to see how she conforms to it, and it to her.
A woman’s beauty lies, not in any exaggeration of the specialized zones, nor in any general harmony that could be worked out by means of the sectio aurea or a similar aesthetic superstition; but in the arabesque of the spine. The curve by which the back modulates into the buttocks. It is here that grace sits and rides a woman’s body.
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