As a child, you respond physically, tactically. You're delighted by sound, you're delighted by recognizing something. It's like hide and seek. Is it there? Is it not there? Is it this note? Is it not this note? It's one fantastic game.
Yo-Yo MaRead
The role of the musician is to go from concept to full execution. Put another way, it's to go from understanding the content of something to really learning how to communicate it and make sure it's well-received and lives in somebody else.
Interpretation
A musician's duty is to transform ideas into relatable experiences through music.
Yo-Yo Ma emphasizes that a musician's role extends beyond mere performance; it involves deeply understanding the essence of musical content and effectively communicating that understanding to an audience. This process ensures that the music resonates and lives on in the listeners, creating a meaningful connection that transcends the notes themselves.
In practice
In a workshop on music education, this quote can be used to highlight the importance of emotional connection in teaching.
As a child, you respond physically, tactically. You're delighted by sound, you're delighted by recognizing something. It's like hide and seek. Is it there? Is it not there? Is it this note? Is it not this note? It's one fantastic game.
There's a part of me that's always charging ahead. I'm the curious kid, always going to the edge.
I think that peace is, in many ways, a precondition of joy.
I think anybody who goes away finds you appreciate home more when you return.
When we enlarge our view of the world, we deepen our understanding of our own lives.
I learn something not because I have to, but because I really want to. That's the same view I have for performing. I'm performing because I really want to, not because I have to bring bread back home.
It sometimes takes a foreigner to come and see a place and paint it. I remember someone saying they had never really noticed the palm trees here until I painted them.
I leave you free to imagine any dialogue you please. Choose whatever may charm you. Have it, if you like, that they hear the voice of the blood, or that they fall in love at first sight... Conceive the wildest improbabilities. Have it that the depths of their beings are thrilled at accosting each other in slang. Tangle them suddenly in a swift embrace or a brotherly kiss. Do whatever you like.
I always prefer photographing in available light – or Rembrandt-light I like to call it – so you get the natural modulations of the face. It makes a more alive, real, and flattering portrait.
I've made a career writing about fictitious anti-heroes. To create these worlds, I've spent a lot of time with active members on both sides of the law. And if I had to pick the most interesting of the two, the choice is obvious - we all love the guys in black.
When they say 'jazz,' I'm thinking of a word called 'the creative process.' It intersects every vein and tributary, avenue, path, that everyone's living. It crosses through there, but it's been contained.
I am married to the theater, and the films are only my mistress.
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