Dying is not romantic, and death is not a game which will soon be over... Death is not anything... death is not... It's the absence of presence, nothing more... the endless time of never coming back... a gap you can't see, and when the wind blows through it, it makes not sound.
Interpretation
This quote reflects on the nature of death as the absence of life, emphasizing its somber reality rather than any romantic notions.
Tom Stoppard, in this poignant reflection on death, challenges the romanticized views often associated with it. He presents death as a profound absence—a void that signifies the end of presence and connection, illustrating the deep and silent nature of loss that cannot be perceived or filled. The inevitable reality of death is depicted as a stark and unembellished truth, devoid of any embellishments that society typically attributes to it.
In practice
During a speech on the importance of appreciating life, one might quote this to express the gravity of mortality.
Love is - OK, it's 20 things, but it isn't 19. And I think that love reaches for something which is very, very deep in us and is very easily obscured, and is also very easily denied, which is the instinct towards the other person, other than toward the self.
A movie camera is like having someone you have a crush on watching you from afar - you pretend it's not there.
I once did a radio program with a famous materialist, that is to say a scientist who believed that absolutely everything was physical and that all emotions were reductive to little electrical impulses in your neurons. And I found that I didn't believe that. But what the emotions really are, I don't have an alternative theory.
One of the reasons why there are so many versions of Chekhov is that translations date in a way that the original doesn't; translations seem to be of their time.
A Chinaman of the T'ang Dynasty—and, by which definition, a philosopher—dreamed he was a butterfly, and from that moment he was never quite sure that he was not a butterfly dreaming it was a Chinese philosopher. Envy him; in his two-fold security.
Chekhov directors and Chekhov actors love working on his plays because there seems to be no end to what you can find out about the micro-narrative when you're investigating a text.
As the wealthiest nation on Earth, I believe the United States has a moral obligation to lead the fight against hunger and malnutrition, and to partner with others.
Never again shall a single story be told as though it were the only one.
In proportion as the exploitation of one individual by another is put an end to, the exploitation of one nation by another will also be put an end to. In proportion as the antagonism between classes within the nation vanishes, the hostility of one nation to another will come to an end.
One of the reasons inequality gets so deep in this country is that everyone wants to be rich. That's the American ideal. Poor people don't like talking about poverty because even though they might live in the projects surrounded by other poor people and have, like, ten dollars in the bank, they don't like to think of themselves as poor.
During Lent, let us find concrete ways to overcome our indifference.
Hopes were wallflowers. Hopes hugged the perimeter of a dance floor in your brain, tugging at their party lace, all perfume and hems and doomed expectation. They fanned their dance cards, these guests that pressed against the walls of your heart.
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