I saw above a sea of hills A solitary planet shine, And there was no one, near or far, to keep the world from being mine.
Interpretation
The quote reflects a sense of solitude and ownership of one's world, emphasizing individuality and introspection.
In this quote, Sara Teasdale describes a moment of solitude where she feels a deep connection to the vastness of nature and the universe. The solitary planet shining above a sea of hills symbolizes independence and the idea that one can find personal fulfillment and ownership of their own experiences in the absence of others. It captures the beauty of being alone, suggesting that solitude can lead to a profound sense of belonging to oneself and the world.
In practice
During a poetry reading about self-discovery, this quote can illustrate the theme of finding oneself in solitude.
As the waves of perfume, heliotrope, rose, _x000D_ _x000D_ Float in the garden when no wind blows, _x000D_ _x000D_ Come to us, go from us, whence no one knows; _x000D_ _x000D_ So the old tunes float in my mind, _x000D_ _x000D_ And go from me leaving no trace behind, _x000D_ _x000D_ Like fragrance borne on the hush of the wind.
From my spirit's gray defeat, From my pulse's flagging beat, From my hopes that turned to sand Sifting through my close-clenched hand, From my own fault's slavery, If I can sing, I still am free. For with my singing I can make A refuge for my spirit's sake, A house of shining words, to be My fragile immortality.
I thought of you and how you love this beauty, And walking up the long beach all alone I heard the waves breaking in measured thunder As you and I once heard their monotone. Around me were the echoing dunes, beyond me The cold and sparkling silver of the sea -- We two will pass through death and ages lengthen Before you hear that sound again with me.
Lyric night of the lingering Indian Summer, Shadowy fields that are scentless but full of singing, Never a bird, but the passionless chant of insects, Ceaseless, insistent. The grasshopper's horn, and far-off, high in the maples, The wheel of a locust leisurely grinding the silence Under a moon waning and worn, broken, Tired with summer.
Let it be forgotten, as a flower is forgotten, Forgotten as a fire that once was singing gold, Let it be forgotten forever and ever, Time is a kind friend, he will make us old.
For I shall learn from flower and leaf, That color every drop they hold, To change the lifeless wine of grief To living gold.
When the world smiles upon us, and we have got a warm nest, how do we prophesy of rest and peace in those acquisitions, thinking with good Baruch, great things for ourselves, but Providence by a particular or general calamity overturns our plans (Jer. 45:4,5), and all this to turn our hearts from the creature to God.
The future always looks good in the golden land, because no one remembers the past.
I wish to go on living even after my death.
According to Christian teachers, the essential vice, the utmost evil, is Pride.
There are two levels to your pain: the pain that you create now, and the pain from the past that still lives on in your mind and body. Ceasing to create pain in the present and dissolving past pain - this is what I want to talk about now.
We have no knowledge, that is, no general principles drawn from the contemplation of particular facts, but what has been built up by pleasure, and exists in us by pleasure alone. The Man of Science, the Chemist and Mathematician, whatever difficulties and disgusts they may have had to struggle with, know and feel this. However painful may be the objects with which the Anatomist's knowledge is connected, he feels that his knowledge is pleasure; and where he has no pleasure he has no knowledge.
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