And what a congress of stinks!- Roots ripe as old bait, Pulpy stems, rank, silo-rich, Leaf mold, manure, lime, piled against slippery planks, Nothing would give up life: Even the dirt kept breathing a small breath.
Theodore RoethkeRead
The self says, I am; The heart says, I am less; The spirit says, you are Nothing.
Interpretation
This quote explores the relationship between self-identity, humility, and the essence of being.
In this quote, Theodore Roethke delves into the layered complexities of human existence. The self declares its presence with confidence, while the heart recognizes its limitations and the need for humility. Ultimately, the spirit transcends individuality, suggesting that true essence is found in the unity and interconnectedness of all beings, leading to the profound realization of 'nothingness' beyond the ego.
In practice
In a meditation group, this quote could serve as a foundation for a discussion on self-awareness and identity.
And what a congress of stinks!- Roots ripe as old bait, Pulpy stems, rank, silo-rich, Leaf mold, manure, lime, piled against slippery planks, Nothing would give up life: Even the dirt kept breathing a small breath.
My Papa's Waltz: The whiskey on your breath Could make a small boy dizzy; But I hung on like death: Such waltzing was not easy. We romped until the pans Slid from the kitchen shelf; My mother's countenance Could not unfrown itself. The hand that held my wrist Was battered on one knuckle; At every step you missed My right ear scraped a buckle. You beat time on my head With a palm caked hard by dirt, Then waltzed me off to bed Still clinging to your shirt.
Art is our defense against hysteria and death.
The indignity of it!-_x000D_ _x000D_ With everything blooming above me,_x000D_ _x000D_ Lilies, pale-pink cyclamen, roses,_x000D_ _x000D_ Whole fields lovely and inviolate,-_x000D_ _x000D_ Me down in the fetor of weeds,_x000D_ _x000D_ Crawling on all fours,_x000D_ _x000D_ Alive, in a slippery grave.
By daily dying, I have come to be.
The stones were sharp, The wind came at my back; Walking along the highway, Mincing like a cat.
We live in oppressive times. We have, as a nation, become our own thought police; but instead of calling the process by which we limit our expression of dissent and wonder ‘censorship,’ we call it ‘concern for commercial viability.
One of the problems with the kill-or-capture metric is that it has often been to the exclusion of having a deeper, richer understanding of the movement, its origins, and our adversaries' mindset. The nuances are absolutely critical. Our adversaries are wedded to the ideology that informs and fuels their struggle, and, by not paying attention, we risk not knowing our enemy.
To knock a thing down, especially if it is cocked at an arrogant angle, is a deep delight of the blood.
A people armed and free, forms a barrier against the enterprises of ambition and is a bulwark for the nation against foreign invasion and domestic oppression.
The city is like poetry; it compresses all life, all races and breeds, into a small island and adds music and the accompaniment of internal engines.
The act of vagabonding is not an isolated trend so much as it is a spectral connection between people long separated by place and time, but somehow speaking the same language.
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