Everything is dangerous, my dear fellow. If it wasn't so, life wouldn't be worth living.
Oscar WildeRead
Shakespeare might have met Rosencrantz and Guildenstern in the white streets of London, or seen the serving-men of rival houses bite their thumbs at each other in the open square; but Hamlet came out of his soul, and Romeo out of his passion.
Interpretation
This quote highlights the deep emotional and philosophical origins of Shakespeare's characters, contrasting them with the mundane reality of their social interactions.
Oscar Wilde suggests that while Shakespeare may have encountered ordinary situations and people in London, the true essence of his plays and characters like Hamlet and Romeo arises from profoundly rich emotional landscapes within the human experience. Wilde emphasizes the distinction between surface-level social encounters and the deeper, more complex feelings that drive Shakespeare's greatest works.
In practice
Discussing the depths of character development in a literature class.
Everything is dangerous, my dear fellow. If it wasn't so, life wouldn't be worth living.
London is too full of fogs and serious people. Whether the fogs produce the serious people, or whether the serious people produce the fogs, I don't know.
When one has never heard a man's name in the course of one's life, it speaks volumes for him; he must be quite respectable.
Men always want to be a woman's first love - women like to be a man's last romance.
A truth ceases to be true when more than one person believes in it.
His morality is all sympathy, just what morality should be
Poems come from ordinary experiences and objects, I think. Out of memory - a dress I lent my daughter on her way back to college; a newspaper photograph of war; a breast self-exam; the tooth fairy; Calvinist parents who beat up their children; a gesture of love; seeing oneself naked over age 50 in a set of bright hotel bathroom mirrors.
Cold metal walks across my forehead,_x000D_ spiders search for my heart._x000D_ It is a light that goes out in my mouth.
A writer's heart, a poet's heart, an artist's heart, a musician's heart is always breaking. It is through that broken window that we see the world.
In no other sport is the connection between performer and observer so intimate, so frequently painful, so unresolved
To photograph people is to violate them, by seeing them as they never see themselves, by having knowledge of them that they can never have.
You have to be free to play around with the notion that day might be night, love might be hate; nothing can be too sacred for the imagination to turn into its opposite or to call experimentally by another name. For writing is re-naming.
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