Is not the most erotic part of the body wherever the clothing affords a glimpse?
I am simultaneously and contradictorily both happy and unhappy: 'to succeed' or 'to fail' have for me only ephemeral, contingent meanings (this does not stop my desires and sorrows from being violent ones); what impels me, secretly and obstinately, is not tactical: I accept and I affirm, irrespective of the true and the false, of success and failure; I am withdrawn from all finality, I live according to chance.
Interpretation
What this quote means
The quote reflects on the complexities of human emotions and the acceptance of life's uncertainties without being tied to conventional notions of success and failure.
Roland Barthes articulates a profound duality within himself, acknowledging the coexistence of happiness and unhappiness in his pursuit of desires. He suggests that traditional measures of success and failure are ultimately fleeting and subjective, and emphasizes a life lived in acceptance of chance rather than definitive outcomes. This perspective invites readers to reflect on their own emotional landscapes and the nature of fulfillment, advocating for a detachment from rigid success metrics while embracing the chaotic beauty of life.
Themes
In practice
Example use cases
In a motivational speech addressing the importance of embracing uncertainty.
More from Roland Barthes
All quotes →If I acknowledge my dependency, I do so because for me it is a means of signifying my demand: in the realm of love, futility is not a "weakness" or an "absurdity": it is a strong sign: the more futile, the more it signifies and the more it asserts itself as strength.)
The gesture of the amorous embrace seems to fulfill, for a time, the subject's dream of total union with the loved being: The longing for consummation with the other.
The text is a tissue of quotations drawn from the innumerable centres of culture.
I think that cars today are almost the exact equivalent of the great Gothic cathedrals: I mean the supreme creation of an era, conceived with passion by unknown artists, and consumed in image if not in usage by a whole population which appropriates them as a purely magical object.
All those young photographers who are at work in the world, determined upon the capture of actuality, do not know that they are agents of Death.
Similar quotes
You come of the Lord Adam and the Lady Eve," said Aslan. "And that is both honour enough to erect the head of the poorest beggar, and shame enough to bow the shoulders of the greatest emperor on earth. Be content.
We find by losing. We hold fast by letting go. We become something new by ceasing to be something old. This seems to be close to the heart of that mystery. I know no more now than I ever did about the far side of death as the last letting-go of all, but now I know that I do not need to know, and that I do not need to be afraid of not knowing. God knows. That is all that matters.
What happens is consciousness operates in mysterious ways. One of those ways is that the old paradigm suddenly starts to die.
Ancient eschatological texts are actually maps of the inner territories of the psyche that seem to transcend race and culture and originate in the collective unconscious.
The funny thing is, I sometimes get the impression that some people outside of the field think that there's some element of security that we have in working on a theory that hasn't made any predictions that can be proven false. In a sense, we're working on something unfalsifiable.
The torch of doubt and chaos, this is what the sage steers by.