Life never presents us with anything which may not be looked upon as a fresh starting point, no less than as a termination.
Andre GideRead
Do not do what someone else could do as well as you. Do not say, do not write what someone else could say, could write as well as you. Care for nothing in yourself but what you feel exists nowhere else. And, out of yourself create, impatiently or patiently, the most irreplaceable of beings.
Interpretation
Be unique and expressive in your creations, focusing on what makes you distinct.
This quote by Andre Gide emphasizes the importance of individuality and authenticity in creative endeavors. It encourages one to abandon imitation and instead cultivate a personal voice and unique contributions to the world, ultimately creating something that is irreplaceable and genuinely reflects one’s inner self.
In practice
In a creative writing workshop to inspire participants to find their original voice.
Life never presents us with anything which may not be looked upon as a fresh starting point, no less than as a termination.
Old hands soil, it seems, whatever they caress, but they too have their beauty when they are joined in prayer. Young hands were made for caresses and the sheathing of love. It is a pity to make them join too soon.
Through fear of resembling one another, through horror of having to submit, through uncertainty as well, through skepticism and complexity, there is a multitude of individual little beliefs for the triumph of strange little individuals.
It is the special quality of love not to be able to remain stationary, to be obliged to increase under pain of diminishing.
It is with noble sentiments that bad literature gets written.
I intend to bring you strength, joy, courage, perspicacity, defiance.
But then, so far as I know, I am the only performer who ever pledged his assistants to secrecy, honor and allegiance under a notarial oath.
Because subjects like literature and art history have no obvious material pay-off, they tend to attract those who look askance at capitalist notions of utility. The idea of doing something purely for the delight of it has always rattled the grey-bearded guardians of the state. Sheer pointlessness has always been a deeply subversive affair.
In the theater, while you recognized that you were looking at a house, it was a house in quotation marks. On screen, the quotation marks tend to be blotted out by the camera.
I have always held the old-fashioned opinion that the primary object of work of fiction should be to tell a story.
There's this inherent screenplay structure that everyone seems to be stuck on, this three-act thing. It doesn't really interest me. To me, it's kind of like saying, 'Well, when you do a painting, you always need to have sky here, the person here and the ground here.' Well, you don't.
Every creator painfully experiences the chasm between his inner vision and its ultimate expression. The chasm is never completely bridged. We all have the conviction, perhaps illusory, that we have much more to say than appears on the paper.
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